Writing Quotes - Page 1095

The problem with writing a book in verse is, to be successful, it has to sound like you knocked it off on a rainy Friday afternoon. It has to sound easy. When you can do it, it helps tremendously because it's a thing that forces kids to read on. You have this unconsummated feeling if you stop.

A kid is a guy I never wrote down to. He's interested in what I say if I make it interesting.

I tend to basically exaggerate in life, and in writing, it's fine to exaggerate. I really enjoy overstating for the purpose of getting a laugh. For another thing, writing is easier than digging ditches. Well, actually, that's an exaggeration. It isn't.

Please use anger for something positive like hurting people that deserve it or writing jokes.

Writing good jokes requires effort. Think I'll just start dressing funnier.

Writing a new film about cereal killers. Not serial killers, cereal killers. The main character can eat two, three boxes at a time.

Unfortunately, for the vast majority of us, a vast majority of the time, we surrender our true autonomy to this illusion of agency. I'm as guilty as anybody, and I write about it in a book. I'm not condemning anybody.

With the DVR, I was mostly writing about it as a good thing in giving us the choice of when and how to watch things. But there's what we lose in the bargain, which is the collective spectacle. 'Did you see Jay Leno last night?'

If money can't be made reporting and writing articles, then professionals simply can't do it anymore. Unless we adopt the position that the amateur blogosphere is really capable of taking on the role that the 'New York Times' and CNN play, then we do need solutions for paying for content.

Make sure your family and loved ones don’t interrupt you during your writing time. If you’re a lawyer or doctor, friends don’t just stop by the office to chat or interrupt you from your work. But for some reason, people think writing is different. It isn’t, and you need to make clear that this is sacred time.

I use all types of instruments, really depending on the film. Instrument choices are very much tied to lighting, colors, art direction, as well as the narrative elements. I have a great collection of vintage synths, and of course I do like to write for acoustic instruments. I find the depth and intricacy of sound and emotion you can get with acoustic ensembles extremely versatile and effective in the overall sound environment. Also, the human aspect of performance is such an important part of the music score to character connection.

I've been fortunate in that the films I've worked on in the horror genre are themselves not pure horror, and have allowed me to write in a wide variety of styles. Those scores contain elements of fantasy, drama, action, comedy... really all types of scoring, and that gives the horror moments more impact. As for scoring the horror moments, I do like approaching the music from the psychological aspect, scoring to the characters' thoughts, emotions, motivations and such.

Write programs to handle text streams, because that is a universal interface.

The decision to write full time was made when I was twenty-eight years old and had just had two small plays accepted for BBC Radio.

With a novel, no matter where I am in it, I'm fretting about it. Every time I write a book, it starts with great forward momentum. Then there seems to be a period where it slows down a bit, and other things intervene. Then I gain momentum.

I've been known to write on the Underground in London and on the subway in New York. I have two or three cafes in Paris that I go into. I find a corner with a little shade, and I can work.

Narrative nonfiction was not my forte. I always wanted to let my imagination run free, and the facts sometimes got in the way. At one point I wanted to illustrate Jack Prelutsky's enchanting poems. Unable to do that, I started devising and improvising my own poems, very raw at first. I immersed myself in verse, writing reams of stuff until it gelled.

I think writing would have happened to me anyway, somehow. Differently, but it still would have happened.

I thought about how odd it is for billions of people to be alive, yet not one of them is really quite sure of what makes people people. The only activities I could think of that humans do that have no animal equivalent were smoking, body-building and writing. That's not much, considering how special we seem to think we are.

If someone decides to be a musician now, it means because there is no hope of money at the end of it, it means they really want to be a musician. And if someone is writing now, there is no hope for money at the end of it.

My writing process is ritualized and monotonous, but there's no other way to get the job done. All other fiction writers I've met say the same thing.

It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me.

When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.

I have a lot of books I want to write.

There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." It's funny.