Writing Quotes - Page 1037

I saw a gray-haired man a figure of hale age, sitting at a desk and writing.

I was a different person before I started to write. When I realized I could be a songwriter and that people would listen - that was when I started feeling good in my life.

I wish I could write more make-believe. It's a lot easier to write about hard times and when things are going wrong. But I've never been a private person.

Out of all the artistic things I do, music is the most rewarding because it's so hard to write songs.

To write an album takes so much focus and selfish time, to just write and think about your life. For me. Maybe not for other people.

I'm just writing what I feel, and I really don't think I've done anything wrong that I need to hide. The biggest thing, and I don't even like to bring it up, is my children - you know, you've gotta protect them.

I think when I first started discovering I could write songs, I was so naive. And it was after I got broken up with and had my heart sliced up into a bunch of little pieces that I was like, "I'm going to say this." I didn't even know how to play guitar.

I'll generally write out every scene that's in the film on a couple of pieces of paper, just with a little one-line. And then I can scan it a bit and go, 'This first third of the film, generally, I'm kind of calm.' Then I might do something on one piece of paper that just relates to the energy of the character.

Most of the time when I'm in Australia I'm not really working, it seems. I'm just at home, getting on with renovating my house or writing music or whatever. So I get back to doing all the stuff that I naturally do. Whereas if I'm away working, that's all there is to do, is to concentrate on the work.

Silent films are fairytales. All stories are more or less fairytales, and removing speech makes everything more universal. It makes specific characters stand in for everybody, so actions take on fairytale significance. And the writing has to be pared down to represent people as types, too.

Writing a book is as different from digital curation as night and day. Digital curation is a series of split-second decisions: good/no good. It can even be done algorithmically. Writing is process-intensive activity.

You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it.

You’ll learn that the key to a great book is editing-grindin g, buffing, and polishing-not writing.

Do not write to impress others. Authors who write to impress people have difficulty remaining true to themselves. A better path is to write what pleases you and pray that there are others like you. Your first and most important reader is you. If you write a book that pleases you, at least you know one person will like it.

I think it's more honest, true to life, to write about serious matters. And also not to do something that's gentle. I like to put, ideally, belly laughs on one side, and really serious moments on the other. So they kind of come up against each other.

Writing is never, ever easy but I wake up every morning grateful for the gift of being able to do this.

It can be hard to write a skillfully entertaining fiction, but a great book wants to be more, and wants more from us.

One of the more popular activities was “Talk-O-Matic”. Five people at a time could write messages, and read each other's messages, on the same screen. Today, Internet chat rooms work on the same principle. One of the remarkable new features of this page was that you could log in with an invented name, and pretend you were anyone you wanted - any name, any age, any gender. One favorite trick was to log in using the name of someone else already logged into the page, simply to confuse everyone else.

I love playing and I love singing, and the writing. There's kind of a symbiotic relationship between the writing and the playing.

When I was younger, I dreaded having to write. I would find every possible excuse not to sit down at the typewriter (this was a long time ago). As I've gotten older, I've learned to enjoy putting sentences together, though I still believe that writing, unlike sex, is always better after you're through.

Come, let’s be calm: no one incapable of restraint was ever a writer.

Writing this book I am like a man playing the piano with lead balls attached to his knuckles.

I took Eugene Sue's Arthur from the reading-room. It's indescribable, enough to make you vomit. You have to read this to realize the pitifulness of money, success, and the public. Literature has become consumptive. It spits and slobbers, covers its blisters with salve and sticking-plaster, and has grown bald from too much hair-slicking. It would take Christ of art to cure this leper.

Often I had to imagine the things I needed. I learned very early to read amidst noise. And so I started writing and drawing at an early age.

Writers know that sometimes things are there in the drawer for decades before they finally come out and you are capable of writing about them.