Writing Quotes - Page 1033

There's some things I can't write about, just terrible personal tragedies.

Not everybody gets to record with an orchestra, and not everybody that gets to record with an orchestra gets to write all their own stuff.

I just don't know what makes a picture, really - the thing that makes it is something unique, as far as I can understand. Just like one guy can write a sentence and it's beautiful and another one can write it and it's dead. What the difference is, I don't know.

I wouldn't write any kind of book without a contract and an advance. You can't invest that amount of time and effort without one.

[Jimmy] Breslin's [write] really great book on Branch Rickey. And Branch Rickey himself wrote quite a lot. There's some film and kinescope from television.

My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!

I always write the pieces I want to write.

One thing I've tried to do in writing music is take on very basic things, very archetypal things.

There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.

I write to withdraw as a nominee to serve as an Associate Justice on the Supreme Court of the United States. ... I am concerned that the confirmation process presents a burden for the White House and our staff that is not in the best interest of the country.

if I believed that the choice lay between a sacrifice of the completest order of biography and that of the inviolability of private epistolary correspondence, I could not hesitate for a moment. I would keep the old and precious privacy,-the inestimable right of every one who has a friend and can write to him, - I would keep our written confidence from being made biographical material, as anxiously as I would keep our spoken conversation from being noted down for the good of society.

The power of fictitious writing, for good as well as evil is a thing which ought most seriously to be reflected on. No one can fail to see that in our day it is becoming a very great agency.

I've been writing as long as I've been able to form words. I never wrote with an idea of publishing anything until I began working on '[To Kill a] Mockingbird'. I think that what went before may have been a rather subconscious form of learning how to write, of training myself.

We said good-bye, and Dill went inside the house. He evidently remembered he was engaged to me, for he ran back out and kissed me swiftly in front of Jem. "Yawl write, hear?" he bawled after us.

About your writing with you left hand, are you ambidextrous, Mr. Ewell?" "I most positively am not, I can use one hand good as the other. One hand good as the other.

I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.

You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.

Naturally, you don't sit down in "white hot inspiration" and write with a burning flame in front of you. But since I knew I could never be happy being anything but a writer, and Mockingbird put itself together for me so accommodatingly, I kept at it because I knew it had to be my first novel, for better or for worse.

Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.

There are times when I think being bipolar gives me the ability to see and want and write things that other people cannot and do not. One of those is writing. Creativity is something that co-presents with bipolarity. There are other times when being bipolar legitimately sucks and leads you to a point where you want to kill yourself. Very odd thing when your brain which, evolutionarily speaking, should want you to survive is telling you to die.

Humour is a way of relating and connecting to people, especially when you're a minority or misunderstood. It has the power that other forms of conversations or writing don't have. With all the problems I had, sometimes the only way of coping with it is to make fun of yourself.

The one thing that's missing from the 9/11 Memorial & Museum, and I don't imagine we'll see it any time soon, is that there's no memorial to the hundreds of thousands of Iraqis who died because of how the memory of 9/11 was used. Memory is a very interesting thing. We very selectively curate our story and then stop when it begins to tell other people's stories and forces us to accept some kind of culpability. One reason I write is that there's not enough Muslims writing, Pakistanis writing, not enough people of faith writing about the complexities of our experiences.

There are companies like Facebook that wield tremendous power over how Americans understand the world. Do they have a social responsibility now? That's the question we're only beginning to ask. Literature still has this power to do things that other forms of media don't have. The process of reading and writing and having arguments about ideas is valuable. I'm afraid it's something we're losing.

As an actor, you're completely at the mercy of other people. You basically go begging for the opportunity to work. As a writer, at least nobody can tell me what to do. I can write what I want. I might not sell it, but at least I'm in control.

When a director writes, there's a compulsory arbitration. You have a right to challenge any of the arbitrators, but they pick three of four arbitrators who read all the drafts with no names attached and then allocate credit.