World Quotes - Page 914

When I read Thirteen Days I was moved by it. It was just a great time for the world, in terms of looking back in history and seeing how we got ourselves into trouble and how we got ourselves out of trouble.

I'm still living it now, every day, living it out in my mind - following the ups and downs, walking the pathways, reliving the moments of our Moonlight World... It's a day that never dies.

We're up at almost seven billion people on the planet and most of that growth has been in the developing world.

Obviously, my perception of the world is one where humans are a threat to our survival.

As a sensitive and highly intuitive person in the command-and-control corporate world, I always felt miscast.

Find what it is you love to do and do it well. Make the world a better place.

We know that the next several generations need a better world to live in, which can only be a post-Obama World.

I'm writing constantly about all my crazy experiences across the world, so I have a lot of music I've already written.

Go out into the world and run straight at whatever you fear the most.

I must let go of my need for the world to love me.

I am held by the creator of the world. I am opening, I am unbounded, I am luminous, I am powerful.

Here's all I know: that the world is uncontrollable. Chaos reigns. That anything and everything might be possible. I won't subscribe to any rational system again. Nothing will bind me.

The world of 'The Hunger Games' is a paranoid survivalist's dream.

The Rebecca Riots by David Williams is an unassuming book, but its significance is universal. The book and its author determined my life; they made me want to be a historian of Wales and of the world.

The physical world is too good a gift to be reduced to an object lesson about 'spiritual things'.

The world is really heading in a very dangerous direction, it becomes that much more valuable and important to go to the movies and see human beings that are human beings.

The detached observer's view is one window on the world.

The Wild Wood is pretty well populated by now; with all the usual lot, good, bad, and indifferent--I name no names. It takes all sorts to make a world.

I don't think that the world will ever become an unpoliced place, sadly. But I do feel that there is relative freedom on the margins.

New York City is just one node on the global cultural scene now. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist today feels local and small. Social media feels now.

[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.

The illustrator is essentially a reporter: his subjects come from the outside, lit by a flash. A subject comes to the classical artist from inside, and when he discovers confirmation of it in the outside world he feels that it has been there all the time.

I'm ingrained in a lot of - almost too many - causes and struggles around the world because that's where I come from.

The integral vision embodies an attempt to take the best of both worlds, ancient and modern. But that demands a critical stance willing to reject unflinchingly the worst of both as well.

..I sought a world philosophy-or an integral philosophy-that would believably weave together the many pluralistic contexts of science, morals, aesthetics, Eastern as well as Western philosophy, and the world's great wisdom traditions. Not on the level of details-that is finitely impossible; but on the level of orienting generalizations: a way to suggest that the world really is one, undivided, whole, and related to itself in every way: a holistic philosophy for a holistic Kosmos, a plausible Theory of Everything.