I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.
I don't have to go back to Australia until next year to finish shooting [the "Matrix" sequels]. It actually works out great, because I have the time needed to support the album and tour. ... It's kind of hard juggling both of them, because it's double the workload. But the way I look at is I just let it work itself out, let it flow. If I don't think about it, it won't drive me crazy.
You know we're in a business where things are just unpredictable. You don't know what's going to happen...we were lucky Blessed, I think is a better way to put it.
We are not all connected. We are bags of skin. We are all separate bags of thinking skin.
I think it is not well known in the Church that payment of tithing has very little to do with money. Tithing has to do with faith.
I don't think it is an easy thing to write and expect to be commercial, even if you are from Venus and a hermaphrodite.
Think of this - that the writer wrote alone, and the reader read alone, and they were alone with each other.
The silliness-much of which is clearly intentional-is blended with some genuine grandeur. The Pixar touch is evident in the precision of the visual detail and in the wit and energy of Michael Giacchino's score, but the quality control that has been exercised over this project also has a curiously undermining effect. The movie eagerly sells itself as semitrashy, almost-campy fun, but it is so lavish and fussy that you can't help thinking that it wants to be taken seriously, and therefore you laugh at, rather than with, its mock sublimity.
I personally am not a huge fan of really gory, scary movies because I'm a wimp. I really like a suspenseful movies and movies that make you think.
Willpower is not some mythical force that we either have or don't have. Willpower is our decision to use higher mind thinking instead of lazing around in the clutches of our primal mind.
So - here I am in the dark alone, There's nobody here to see; I think to myself, I play to myself, And nobody knows what I say to myself; Here I am in the dark alone, What is it going to be? I can think whatever I like to think, I can play whatever I like to play, I can laugh whatever I like to laugh, There's nobody here but me.
Middle class people, the bourgeoisie, they are also feeling frightened at the moment. Some fear losing their fortunes; some go bankrupt; some are thinking about suicide. They don't know if they will retain the beautiful house that they bought, or what will happen to the five family cars.
Our bad luck is that our writing is linear, while we think circularly.
This is a source of much embarrassment and puzzlement to me about myself. (It) probably requires psychoanalysis of why there is this aberration in my life. The rest of my conduct, I think you will agree, is not reflective of my driving record, and I apologized for it.
Grown people know that they do not always know the why of things, and even if they think they know, they do not know where and how they got the proof. Hence the irritation they show when children keep on demanding to know if a thing is so and how the grown folks got the proof of it. It is so troublesome because it is disturbing to the pigeonhole way of life.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
I think I'm a fun flatmate. I'm always cheerful. I go on tour with my band so it's 12 people on one bus and I feel like I'm the one who's happy in the morning. I'm not a chaotic person, but I might slack off on doing the dishes from time to time.
You can't know if someone's really your best friend. I think the measure of that is you could not see each other for six months and then when you see each other you laugh the same way you did when you were a little kid.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
I'm wary about this thing about being in the generation of social networking where people are like, 'I am my musical taste.' I am not just a collection of music. Or a collection of movies. I think that's a thing that people romanticize: 'Oh my God, she likes this band so she is a dream.'
I have a twitter, but I try to not talk about things like, "Oh, I had a grapefruit this morning and it was delicious," because, who cares? But, I think it can serve as a platform for talking about things that matter to me, like the organizations that I work with. As pretentious as that sounds, it is true. You can really make a difference, if you can create a following and actually represent who you are, as opposed to how people want to portray you. But, I don't know what the balance is.
I think the dangers of the impact of GMOs on the environment are undebatable. Genetically modified crops are tied to the chemicals sprayed on them.
I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
I think if I'm serious about affecting people with music, I have to affect people on a human to human level, not on a grand social idea or political idea, it has to be a human being idea so it has to be what's inside a human being.
I'm a big reader. My kids love reading, and I think it's important, not just for development but for bonding. You start reading to kids before they can even understand what you're saying to them, so I look at it as a fundamental tool for connection.
