Talking Quotes - Page 164

The problem of making artists talk about their work is that when they're making their work the left-brain is shut off. So if you talk to an artist about it, you're talking to someone who wasn't there. It's hopeless. And also it's insulting. It's implying that the work is not an adequate account of itself. To me, the greatest artists are almost entirely non-verbal.

None of the ways people were talking about September 11 felt right to me. I don't buy into the way George W. Bush talks about it. I don't buy into the way the 9/11 commission talks about it. It isn't that I don't believe them. It's just that they're not the tellings for me.

Language is never fully trustworthy, but when it comes to eating animals, words are as often used to misdirect and camouflage as they are to communicate. Some words, like veal, help us forget what we are actually talking about. Some, like free-range, can mislead those whose consciences seek clarification. Some, like happy, mean the opposite of what they would seem. And some, like natural, mean next to nothing.

I can't even say 'hair pie,'' I told him, 'unless I'm talking about an actual pie made out of rabbits.

We talked about nothing in particular, but it felt like we were talking about the most important things.

Europe is dying. That is one of the unsayable truths of our time. We are undergoing the moral equivalent of climate change and no one is talking about it.

I don't like to talk about messages so much with films simply because it's a little more didactic. The reason I'm a filmmaker is to tell stories and so you hope that they will have resonance for people and for the kind of things you're talking about.

I don't like the theatre. I like plays in which the audience is addressed by the actors. I don't like seeing people talking to each other on stage as if there isn't an audience.

I don't know that the conservatives truly realize this yet, but they are talking about repealing the mandate that says you must have health insurance, and they're talking about repleaing the taxes that help to finance it.

I’m definitely excited to have a fresh start. Talking to the coach [Bob Hartley], talking to management, they want me to have success, and that definitely makes your life easier. It keeps your mind free to just go out there and play as good as you can, instead of worrying about giving up bad goals and having to prove yourself every night – not just to the public, but to the coaching staff and everybody else. That’s definitely a nicer way to feel comfortable, if you know they have your back.

I have prided myself with striving for objectivity, something many literary-minded critics dismiss as impossible. But in Washington, reporters are practically the only people who actually spend time talking to Republicans and Democrats, conservatives and liberals, and I find the longer I report in Washington, the mushier and less conclusive my own views are. I like it that way.

The conversation that the Senate and the House are having with the President [Barack Obama] was very similar to the conversation that [John] McCain and I were having, which was two people talking over each other and nobody really addressing the underlying issues of what kind of country do we want to be.

[John McCain] stopped connecting and just looked at my chest and decided, "I'm just gonna continue to talk about honor and duty and the families should be proud," all the things that are cudgels emotionally to keep us from the conversation. But, things that weren't relevant to what we were talking about.

I will never probably have the mathematical foundation to truly understand what string theorists are talking about, but it feels good, just for its own sake, to get as close to an understanding as you can.

The Patriot Act removed major legal barriers that prevented the law enforcement, intelligence, and national defense communities from talking and coordinating their work to protect the American people and our national security.

It's hard to describe to people how terrible it was when you could only watch cartoons at a certain time in your life. But no, I would watch all of them - the Warner Bros. cartoons and the Bugs Bunnys and then the Tex Avery stuff. Looking back on it, they were so incredibly subversive for their time. You'd think, "Oh, they're just making jokes and this or that." But when you watch them as an adult, you think, "Oh no, they were talking about some pretty deep stuff."

Integrity - No one will ever use conjuctions talking about you. "He is a good preacher... but..."

Knowing that a great bit of the technology is active and actually happening, and that the technology that we're talking about, in terms of uploading a human consciousness, is probably not all that far away, to be honest. Indeed, it will happen. It's pretty close.

I have fame on the level of a Marilyn Monroe or an Elvis Presley, but part of the reason I didn't go the way they did was because of my beliefs. People make judgments about Scientology, but often they don't know what they're talking about.

The campaigns of Steve Forbes, Pat Buchanan, Ross Perot, and John McCain all outperformed expectations on their support from independent voters. They made no effort to shy away from ideology, but conveyed to voters that their policies were driven by principle, not party talking points.

I seen it over an' over—a guy talkin' to another guy and it don't make no difference if he don't hear or understand. The thing is, they're talkin', or they're settin' still not talkin'. It don't make no difference, no difference. [...] George can tell you screwy things, and it don't matter. It's just the talking. It's just bein' with another guy. That's all.

I've probably read maybe by now fifteen, twenty books on Matthew. I'd say the authors I like best are an English fellow named Michael Goulder, who taught at the University of Birmingham in England, and he writes about the Jewish background in Matthew's gospel, which is part of what I was just talking about, which is just really thrilling to me.

It is only the basest writer who cannot speak of the sea without talking of "raging waves," "remorseless floods," "ravenous billows," etc.; and it is one of the signs of the highest power in a writer to check all such habits of thought, and to keep his eyes fixed firmly on the pure fact , out of which if any feeling comes to him or his reader, he knows it must be a true one.

We see films all the time, whether they have access to all kinds of intellectual property or artifacts, and the one thing that they don't get is story. So I think whether you're talking about a biopic or an action film or a science-fiction film that has all the CGI in the world, if you're not trying to connect with an audience, it doesn't really matter.

There is progress taking place, growth is better. We're only talking about two years there.