Talking Quotes - Page 133

We sat there, not talking, for a few minutes. He ate the Moon Pie; only skinny people can scarf down junk food like that. Finally, I said, "Norman?" "Yeah?" "Are you ever going to show me the painting?" "Man," he said. "You are, like, so impatient." "I am not," I said. "I've been waiting forever." "Okay, okay." He stood up and went over to the corner, picking up the painting and bringing it over to rest against the bright pink belly of one of the mannequins. Then, he handed me a bandana. "Tie that on.

Everyone laughed, and just like that, the conversation shifted, jumping to another topic. It was fast and furious, the talking, the emotions, the back-and-forth and forth-and-back. I realized that if I tried to focus on it too much, I got overwhelmed. So I just decided to relax into it, bumpy and crazy as it might be, and try for once to just go along for the ride.

It was so weird, because usually I was totally nervous talking to guys. But Eli was different. He made me want to say more, not less. Which was maybe not a good thing.

If this was my instinct talking, I didn‟t want to hear what it was saying.

What were you two talking about?" she whispered as Wes pulls the door shut. Nothing," I said. "Running." You should have seen your face," she said, her breath hot in my ear. "Sa-woooon.

We know violence isn’t the answer. When we take up our arms, we’re talking about our vote.

One of the things I used to dream of is that if I could just be funny like Red Skelton, if I could be a comedian like Red Skelton - that's what I watched on TV - then maybe I would have friends. I just remember that if I told stories to my friends, they listened. And in my family, with nine people talking at the same time, it's really hard to get people to listen to you. We were all craving attention.

You know how sometimes you're talking to people who love you and give you unconditional love, and you say, "But you know what? Let me back up. I forgot to say . . ."You can do that, right? You don't hesitate and say, "Oh my God! I forgot to say that!". You just speak! And you say it all, until you have nothing more to say. And that's your first draft. It's done.

Now, I love men, but I don't need to always be talking about them.

When you have a full page of well-written dialogue that has a thought process to it, it is pretty easy to memorize. It's a lot easier to memorize than if you're in a scene and other people are talking, and you have maybe one word or one sentence that you have to interject at the right time and in a natural way.

When I'd read the script [The Man], [ Eugene Levy] that's who I'd seen in my mind. When I ran into him, I said to him, 'I read the script. You'd be great.' He had no idea what I was talking about. Then, we saw each other again in London. He'd read it and was enthused about it.

I did play a dentist in Waiting for Guffman. I wrote the speech at the conference. In the original script, when it got to that scene, it was, 'Thank you very much. Good night.' Literally. I just thought, 'He keeps talking about this speech. The keynote address is the big thing in his life and this is too important to say, "Thank you. Good night." I think we have to see and hear him doing what he does.' So I got together with my dentist and we worked through a few things.

A man who always talks for fame never can be pleasing. The man who talks to unburthen his mind is the man to delight you.

I don't feel like any of the things we're talking about are going to make the world end.

I think any actor who talks in beatings-up is just talking himself up. I tend to not bring them up.

A neighbor will stand at your door talking for 20 minutes because she doesn't have time to come in.

If you get married, you lose all your benefits. That's insane! We should give people bonuses for getting married, and sending signals and talking about it to the society.

I had luck, but I worked hard and I suffered. It's not just photography I'm talking about. It's about whatever dream you want it to be.

Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.

I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.

When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.

I have learned that frustration is allowed and talking it through is necessary.

I guess I just couldn't see standing there -- alive, talking, thinking, breathing, being -- one second, and dead the next. It really bothered me. Death by violence isn't the same as dying any other way, accident or disease or old age. It just ain't the same.

If a woman and a man who have an argument keep talking they keep fighting.

If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.