This film [ Blue is the Warmest Color] actually is the result of me talking with my producer Vincent [Maraval]. I gave him a bunch of ideas and then Vincent helped guide me and develop this particular film. I enjoy that rapport to have somebody else help guide me in my choices for the next film. The poetic way of looking at it is which project is going to choose me as a director.
I loved him. I hated him. I wanted to kiss him. I wanted to strangle him. I was a walking, talking contradiction. There were days I was so torn by my conflicting emotions that I thought I would be ripped in half. Staring at my best friend and secret object of my undying love, I wondered if I would ever get off this crazy train of emotions swirling around inside me. I didn't like feeling this way. But the truth was I couldn't remember a time I didn't feel this aching need to completely immerse myself in all things Daniel Lowe.
When people are in trouble they need to talk.
I don't think there are that many awesome roles out there, whether we're talking about movies or TV.
Yes, exactly. I think that Christmas is always used at any point in the year to cheer us up, like each other up. We would use that to cheer each other up if we were in a sad mood or something, we'd just start talking about Christmas.
I come alive the most when I am talking with people about following their dreams. Inspirational speaking is something I am very passionate about and will be doing more of.
I never heard the term "art world" until I was in my thirties, and I was like, "What are you guys talking about?" It's the world, and we all live in the world!
Screaming, it's not me. I tried it before! Action is more my thing. Not talking. It's hard for me to have word fights, fighting with words. I'd rather just listen.
I'm most honest about writing when I'm talking to family or friends, not to newspapers.
It's not in good taste to have talking ghosts in a grown-up novel.
I remember Zachary Quinto were just about to go and do So Notorious on VH1, and I was super unemployed, and I think we spent a lot of time talking about how we weren't particularly happy.
I think if a girl is easy to talk to then that's the first thing I look for. It's great when you meet a girl and three hours later you're like, 'Oh my gosh, we've been talking for three hours, what happened to the time?'
Time is what matters. As time goes by, you and I will be carried inexorably into the mainstream of our period, even though we’re unaware of what it is. And later, when they say that young men in the early Taisho era thought, dressed, talked, in such and such a way, they’ll be talking about you and me. We’ll all be lumped together…. In a few decades, people will see you and the people you despise as one and the same, a single entity.
Gothenburg's definitely a music city as well, but I think just because of the weather - it's so cold and miserable - people stay in. Coming to the States and going into the store and people are like, "Hi, can I help you?" - I'm not used to people randomly talking to me that I don't know.
So remember, if you're feeling bitter - or sorry for yourself about what you've done, and how much good you've accomplished - or if you find yourself more than anyone else talking about the good you've done, you're doing it for the wrong reasons, because it should be the default.
One thing I really hate is experience. Experience for me doesn't work. Everybody's talking about experience this, experience that.
I've been traveling all over the world for 25 years, performing, talking to people, studying their cultures and musical instruments, and I always come away with more questions in my head than can be answered.
I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking.
I've never had a block. I'm talking within the limits of my abilities. But in my own small way, I've had an embarrassment of riches. I'll have five ideas and I'm dying to do them all. It takes weeks or months where I agonize and obsess over which to do next. I wish sometimes someone would choose for me. If someone said, Do idea number three next, that would be fine. But I have never had any sense of running dry.
I have rather a strange objection to talking from the back platform of a train.... It changes too often. It moves around and shifts its ground too often. I like a platform that stays put.
I can't think of many other laws we might need. For now, though, we'll be talking to German Muslims over issues of coexistence.
Two hours on television just doesn't automatically happen. I'm up early, I'm reading newspapers online, talking to my staff, coming up with ideas.
Talking death seriously is one of the tragedies of youth
I'm not talking about a "show me other walls of this thing" button, I mean a "stumble" button for wallbase.
You cannot do justice to the dead. When we talk about doing justice to the dead we are talking about retribution for the harm done to them. But retribution and justice are two different things.