Song Quotes - Page 382

I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.

Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.

I think all the covers I do have nice sentiments, particularly 'Your Song.' People write me very sweet messages about that song, though I'm sure there are people out there saying that I've ruined it too!

Cover versions, that's my forte, that's all I ever used to do. When you play your own songs, it's quite scary, 'cause I'm quite honest and open, they can be very revealing. But covers, I don't have to think about, just get me up there!

If you really want me to be safe, maybe it's time." "I'd just feel safer if you'd start sleeping in a coffin." Just then my door creaked open. Billy's expression turned to surprise. "Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song." But that didn't keep Billy out. Instead he was totally interested. "You're writing a song? That's so cool. I want to hear it." "It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.

You know that song that asks, "Why do fools fall in love?"? I think the obvious answer is because they're fools.

If your Birthday is on Christmas day and you're not Jesus, you should start telling people your birthday is on June 9 or something. Just read up on the traits of a Gemini. Suddenly you're a multitasker who loves the color yellow. Because not only do you get stuck with them combo gift, you get the combo song. "We wish you a merry Christmas - and happy birthday, Terry - we wish you a merry Christmas - happy birthday, Terry - we wish you a merry Christmas and a happy New Ye - Birthday, Terry!

Our lives are songs; God write the words And we set them to music at pleasure; And the song grows glad, or sweet or sad, As we choose to fashion the measure.

From an early age I've written songs and played the piano.

By the time I was ten or eleven, I had a song-book and I was writing everything down. It used to just be my hobby but now it's like my diary, it's where I can go in my own little bubble.

Most of the time I write my best songs just from feeling a strong emotion, so whether I'm just really angry or really sad or really happy, I immediately sit down at a piano and I begin writing a song.

I always feel like when I've listened to a great song I know it, 'cuz it's the only time I'll ever get goosebumps or something like that.

I think there's thousands of good songs in the world - the songs that we can all sing along to, songs that are just so catchy they end up being in your head. But I think a great song is something that emotionally engages with you and connects with you.

Do you really think he was flirting with me?" "Let's see. He gave you candy you hate - I saw your face - and a CD of songs..." He looks at the CD. "All of these are, like, twenty years old at least. Figures. Oh, and he groped your face. Sounds like true love to me.

To me, the lyrics of the song define the kind of style it is.

I changed my hopes to being a singer [when I was a child] and sat around with my hair in my face droning Mac Davis songs. Writing was sort of a last stand. Come to think of it, it was the only "talent" I had that anyone asked for more of.

XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.

I sometimes suffer from insomnia and one of the first times it ever happened I was like, "I don't know what to do with myself," so I started writing a song and by morning it was finished. It was about how I couldn't sleep... I was 14.

Usually now a song starts just in my head with a melody or a lyric idea coming first.Then typically I'll go to a guitar, unless it's a instrumental then I'll usually build it on a keyboard instrument.

My record, Evolution, is really about me evolving as an artist and trying a few new things. There's a song called, Road Worn, which is about spending so much time on the road and is a lot more jazzy sounding than most of my other music.

I read the text; and then I come to the Shirat ha-Yam, to the Song of the Sea [Exodus 15], to the poetry. Who could have written such a poem except someone who went through it? It is so full of life, so full of truth, of passion, of concern. And the thousands and thousands of commentaries in the Talmudic tradition that have been written on it. It had to have happened. But even if not, I would attribute the same beauty to the text as I do now.

In musical theater, if you have a song, it has to advance the plot. If you have a song in a musical and it does not advance the plot, it gets dropped.

I'm such a copycat."I want to try and do this like the Donovan song 'Changes'," or "I want to do this bit from Van Morrison." I don't know how else to illustrate something, because I'm not a super-great musician. In that way, I'm more like the producer.

It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.

I played some shows, but I'm disappointed it didn't do better. I wish all my shows sold out, I wish I had sold more copies, I wish that a song was picked up to be in a TV show - whatever these little benchmarks are. You always want something more.