Song Quotes - Page 361

When I am excited about a song I want to release it rather than wait to build up an album.

I'd have to say that my favorite thing is writing a song that really says how I feel, what I believe - and it even explains the world to myself better than I knew it.

I like listening to Beyonce, and I like Jason Derulo. I love his new song 'Don't Wanna Go Home.'

I write about heartbreak because I like writing about sad things, but I'm writing happy songs, too!

The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'

The music kind of possesses me when I sing. So whenever I start to sing on a show - I mean, first, I'm nervous, and then when I get into it, it's just like I feel like I'm the person who sang the song first.

I warm up with my mom and make sure I understand what the songs are about, and make sure I'm using the right technique. To be honest with you, I really don't practice a lot... Usually I say a prayer and ask the Lord to sing with me and help me and stand on the stage with me.

I write almost everything, actually. Songs, poems, stories. And stories out of every genre, too.

No, I got my web site going and said I have the record out. People were just falling on the floor - they couldn't believe it - after all that time. You know, it wasn't a compilation, it was new songs.

There are some good songs, but not the kind of song-writing that I remember, that I like. Springsteen still does it. Paul Simon, and there are also good writers, but that doesn't dominate the charts.

When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.

Happy days are here again, The skies above are clear again: Let us sing a song of cheer again, Happy days are here again!

If you're asking if I would be foolish enough, or insulting enough, to write about people in my life that I respect and sell it to the masses as a "break-up song," I can't imagine doing that to people I love.

In all my songs, I take on roles and play characters. It's a unique way to explore ideas and decisions I might not think or make in real life.

If you emphasize one part of the song, it trivializes the rest of the music.

You can't steal an artist's songs and also tell him he can't license that music to a commercial.

I can never tell what's going to end up being on an album until it's all finished. I'm reading the news everyday, and sometimes I just have to be away from it. And that ends up writing the songs for me a little bit.

The music brings me confidence and freedom. It's also the thing that can make me feel the most vulnerable. Once I finish writing all the songs for an album, once I actually record them, that whole process is usually easy and enjoyable. The part where I feel the most vulnerable is when it's all finished, I can make no more changes, I've turned it in, and there's no going back. All of a sudden I hear the songs in a different way; that's when I feel vulnerable.

The songs themselves sometimes have messages and people can read into them different ways, but I try to use concerts as a way to gather people and then have information there. I think that's important to find that balance, a way to be able to turn people on to things at the shows, but also just have it be an entertainment experience for people who just want to hear music and dance and don't want the extra stuff.

Sometimes I'll write a song. When I've gone through something really hard in my life, sometimes it's other people's music. Other times it's actually writing the songs and getting out of mind and into the song.

Mr. Presley has no discernible singing ability. His specialty is rhythm songs which he renders in an undistinguished whine; his phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathroom. For the ear, he is an unutterable bore.

When Kevin Brockmeier says, "Everything, given the possibility, would choose to be a song," I recognize the implicit truth of such a miracle. What can I say, I'm Irish, and we take naturally to that sort of thing.

I'm not thinking about forcing my kids to watch my movies. It's always awkward when someone says: "Hey, I wrote a song, can I play it for you?" That would be the dynamic, if I was like: "Hey, you're my son, watch my work!" I don't want to put them in that awkward position. Just because when they get older, that's when I'm worried, that they'll judge me and say: "Yeah, my father's ******* Jack Black. He was in that cheesy movie." So, I'm going to keep it all high quality. It'll be a quality controller.

In the far corner, a tenor began to sing, Zsadist's crystal-clear voice sailing up toward the warrior paintings on the ceiling far, far above them all. At first John didn't know what the song was...although if he'd been asked what his name was, he would have said Santa Claus, or Luther Vandross, or Teddy Roosevelt. Maybe even Joan Collins.

The fact of picking up an instrument and writing a song and expressing yourself publicly has a powerful political dimension.