Song Quotes - Page 328

I want to be just a musician and songwriter, and hopefully known as a very good one. I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.

Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.

I really admire songwriters or any kind of writer, painter or artist that says, "I'm going to get up at 8 o'clock in the morning and spend this time to this time creating." I do that sometimes, but the songs I like the best come as gifts from somewhere. It's almost like you didn't do anything, like you can't take credit for it because you sat down and the melody and words came out.

I try to treat all my fans as if they're the stars, and make them feel as important as they make me feel. A lot of times I'll pull them on stage to help me sing songs. I wouldn't have my house, my fame or my career without them voting for me and appreciating this talent that God blessed me with. I just want to share it every day.

Every now and then the stars align, Boy and girl meet by the great design, Could it be that you and me are the lucky ones? Everybody told me love was blind, Then I saw your face and you blew my mind, Finally you and me are the lucky ones, this time

My dancing is Hawaiian-inspired but I also get a little fresh when it comes to my faster songs.

Ziri's soul felt like the high roaming wind of the Adelphas Mountains and the beat of stormhunters' wings, like the beautiful, mournful, eternal song of the wind flutes that had filled their caves with music he could not possibly remember. It felt like home.

Years ago I was in a band called Two Lane Blacktop - we deliberately named ourselves after the 'Two-Lane Blacktop' movie, 'cuz it's a car chase movie. All our songs were based on movies, every single song. I love movies, and that was something that me and the singer in Two Lane Blacktop bonded over - we were design students together, we did a film-class together, so we became obsessed with movies. It's followed me around ever since then, it's a constant theme.

"The River" [song] is also, yes, very metaphorical. Rivers are cleansing. As long as human beings have been on the Earth we've used rivers to cleanse ourselves. And, for me, the lyrics "something in the river," I think is - well, the river is a metaphor for where I was at the time.

Writing that sort of [songs like "Let is Roll"]made me try to almost sort of ingrain it in my own head every time I sing it live as well. It's like therapy. It's like "Move on, Pip! Come on. You can do this! You can do this."

That song ["Money to Burn"] is me being a fly on the wall in situations in LA. I mean, I've seen the way a lot of people operate and I've seen that sort of thing go down. There's a lot of rich kids with a little bit of extra money.

I remember writing a song when I was about 15. This is the one I can remember. I know I'd been writing poetry for a long time, since I was about eight, but I remember my first one that I put to chords. I was really trying to be like the psychedelic era Beatles, I was obsessed. All I could think about was Beatles and Hendrix. So I tried to write a psychedelic song, and it was the worst. I couldn't even... If I read it now - I still have the book somewhere - it makes me cringe out loud. It was just about psychedelic stuff.

I feel like in every song I write, I always write a little darker bit.

I'm inspired to write songs by all kinds of things. Good sex with a good man, that might inspire a song. Bad sex - that might inspire a different kind of song.

'Cause you can't buy a house in heaven!

Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.

I try to write from a really honest place when I write pop music and carry the song into a more deep and more symbolic visual

I have to play really loose versions of songs I've made on the computer.

I just always wrote songs as a side hobby. So it was sort of a natural thing to write comedy songs. But when I started writing songs, I wrote very serious songs. Or things that a 13-14 year-old would think are very serious issues.

I've tried over the years all kinds of ways of going about writing and even just thinking about the idea of writing. There was a time when I decided to try to write a song each day. Whether it was good or bad wasn't important.

A lot of getting a song done is booking the studio time. I'm the kind of person who will set time aside to do something and then do everything but that thing.

I think music should be free. I think all communication should be free. I think people should respect artists, and there should be a certain respect for artists who give their music away for free. If your music winds up on Napster and you approve of it, then the person downloading your music should at least go to your concert, should at least purchase your songs.

The songs keep on writing themselves, and I really love them. It's as close as I get to a religion.

Men are allowed to write songs about people and women are allowed to write songs about women

I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.