Real Quotes - Page 838

For over a century, popular struggles in the democracies have used the nation-state to temper raw capitalism. The power of voters has offset the power of capital. But as national barriers have come down in the name of freer commerce, so has the capacity of governments to manage capitalism in a broad public interest. So the real issue is not "trade" but democratic governance.

Come to me. Are you lost? I can see another way from where I live. The heart can see a path that's out of sight to the head-a path you'll surely overlook, left alone on your lofty perch up there, too distracted by your world to see the real world where I live. I live on the level of laughter, tears, and-yes-prayer.

Truth is rhythmical: if it implies stasis, it is platitude. Truth is syncopated: if it supplies all the terms, there is one term too many. Truth is barbed: if it comforts, it lies. Truth is an armed dancer.

There's a real tension between it being a collaborative art process, which is almost like performance art of yourself, and, as we talk about the movie, it's kind of a mix between melodrama and cinéma vérité. This involves ideas about playing the role of yourself and the movie of your life and all these other things.

There is more real devotional feeling summoned from the temple of the mind by great music than by any sermon ever delivered.

It seems to me impossible for a civilized man to love or worship, or respect the God of the Old Testament. A really civilized man, a really civilized woman, must hold such a God in abhorrence and contempt... In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal... This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor.

Every real thing is a joy, if only you have eyes and ears to relish it, a nose and tongue to taste it.

One of the hardest things to live with in any relationship is criticism, real or implied. Criticism is a form of humor for them, and they enjoy feeling superior when they see someone else's discomfort.

I have gone into yesterday and tomorrow and both were as real as today -- which is like the dreams of ghosts!

You really have to soak up the culture of the people to get it right. If you're making a fiction film, it's entertainment, but you want it to be as real as possible.

They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )

What is reality but the dreamworld of a limited imagination.

If I choose abstraction over reality, it is because I consider it the lesser chaos.

To accept reality is only to encourage it.

A handy short definition of almost all science fiction might read: realistic speculation about possible future events, based solidly on adequate knowledge of the real world, past and present, and on a thorough understanding of the nature and significance of the scientific method.

Do-gooding is like treating hemophilia - the real cure is to let hemophiliacs bleed to death...before they breed more hemophiliacs.

The problem is, I don't think I've got too much to offer at the minute. I'm busy working on myself. This sounds like real therapy talk, but it's like, you've got to be happy with yourself before you can go out and get yourself a girl.

I've always been a fan of just extreme things. Whether it be in movies, books, TV or real life.

I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."

["John F. Kennedy" movie] was just really clever storytelling.

We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.

The physics chip adds a level of reality in games we just haven't been able to get.

Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.

In art as in politics we must deal with people as they are not as we wish them to be. Only by working with the real can you get closer to the ideal.

I'm beginning to feel that the real endangered species on planet earth are not the whales and the elephants but those of us who can laugh at the world and ourselves. ... I fear the dry turn of the American mind, this focus on the literal, as much as I fear our capacity for self-destruction. We've become hagridden by facts, obsessed with product instead of process. Where's the energetic wit, the looney outlook, the frivolity, the lightness of comforting laughter? It has become fashionable to know and unfashionable to feel, and you can't really laugh if you can't feel.