Real Quotes - Page 759

Always the rationalization is the same-"Once this situation is remedied, then I will be happy." But it never works that way in reality: The goal is achieved, but the person who reaches it is not the same person who dreamed it. The goal was static, but the person's identity was dynamic.

There are many sorts of love. And when you love a man who is less than you dreamed, you have to make allowances for the difference between a real man and a dream. Sometimes you have to forgive him. Perhaps you even have to forgive him often. But forgiveness often comes with love.

There's a reductiveness to photography, of course - in the framing of reality and the exclusion of chunks of it (the rest of the world, in fact). It's almost as if the act of photography bears some relationship to how we consciously manage the uncontrollable set of possibilities that exist in life.

In a world where every man and his dog is a designer, Alexander McQueen was the real deal. His talent was supersonic.

They who have been exercised in the service of God for a long time, may in their prayers imagine all sorts of insults offered to them, such as blows, wounds, and the like, and so in order to imitate Christ by their charity, may accustom their hearts beforehand to forgive real injuries when they come.

I would like to undermine the stereotype of "strict philosophy." J.L. Austin remarked that, when philosophy is done well, it's all over by the bottom of the first page. I take him to have meant that the real work comes in setting up the problem with which you are dealing, and thus getting your reader to take particular things for granted.

The real contribution of Rihani consists in having given us, in both Arabic and English, what may be considered the most vivid and interesting account of common-day life as it is lived at present in the hitherto little known Arabia.

It was hard to love my wife and kids because I was all wrapped up in loving only myself. I did what I wanted, when I wanted, without any real concern for them.

Magic is a set of techniques and approaches which can be used to extend the limits of Achievable Reality. Our sense of Achievable Reality is the limitations which we believe bind us into a narrow range of actions and successes - what we believe to be possible for us at any one time. In this context, the purpose of magic is to simultaneously explore those boundaries and attempt to push them back - to widen the 'sphere' of possible action.

My style hero was Batman. Now it's Tony Stark.

By the 1980s, practically no one under 60 in the real civilian world wore hats for anything except weddings, funerals or Ascot. Hats had been in competition with hair, and hair had won. Thirty years before that, Brits of all classes and ages wore hats all the time.

Michelle Kwan means more to the United States Olympic Committee than maybe any athlete that's every performed. She's a leader, she's been gracious, she's somebody to cherish forever. She's a real loss to the United States Olympic Committee, to the United States of America and, I think, to the world.

I think we have a bubble in the US in government bonds, because of the quantitative easing and the negative real interest rates, and to some extent, that increases asset values across the board, including in startups.

Gold is not overvalued at $500, and gold will not be overvalued at $1,500 or $2,000. The real money is buying gold and putting it away.

Disturbing and intriguing. The Synchronicity Factor is much more than a page-turning thriller, for its remarkable plot is rooted in real science and real history.

In the beginning of my twenties, I started transcendental meditation. For years, I did nothing else. Every holiday, I went to courses. Meditation is a real simple instrument. You don't need a long beard or a sari. It's meant to bring you to yourself. It's as easy as that.

Through the picture, I see reality; through words, I understand it.

Maybe it's wrong when we remember breakthroughs to our own being as something that occurs in discrete, extraordinary moments. Maybe falling in love, the piercing knowledge that we ourselves will someday die, and the love of snow are in reality not some sudden events; maybe they were always present. Maybe they never completely vanish, either.

Real heroes are all around us and uncelebrated.

One view of photography is that it is a zen-like act which captures reality with its pants down - so that the vital click shows the anatomy bare. In this, the photographer is invisible but essential. A computer releasing the shutter would always miss the special moment that the human sensibility can register. For this work, the photographer's instinct is his aid, his personality a hindrance.

The goal of all my work is essentially the same: demonstrating that magic is real or that reality is magic, by paying attention, and finding compensation or consolation for what is essentially a tragic existence.

The drive of the story is sort of hinted at the beginning, is Joy and Sadness and those two characters. Especially Joy starting to understand that there's more to life than being happy. And so that's based on real life observations and things that we've learned as adults.

We measure our success of love in the images of love. But those images are static. And it's a hopeless project, because our love will never be like that image. The actual reality of love in our lives is much more chaotic.

I don't mind if somebody texts me but I'm not a big texter, the things are too small. I don't mind if they text, '7 o'clock,' that's fine, that's logistics but, 'What's up?' Get real! Pick up a phone!

When 9/11 hit, the second thing I said to myself was, 'This really is what religious people do.' Those people flying the plane were very good, very pious, truly faithful believers. There's no other way to paint them. Of course, they are extremists by definition, but they certainly aren't going against Islam in any real way.