Real Quotes - Page 729

I'm very happy to come back. I've always had success here and the public is fantastic. I love you, Montreal.

Film is like a drug. It is a shelter when you cannot deal with reality.

The real thing creates its own poetry.

Writing is a completely private act. It's in a way like play but very serious play, and sometimes I can escape into the fictional world that I'm creating so fully as to see hours go by without my noticing it. I think that kind of suspension of time and that mindfulness is a real gift.

By suicide I introduce my design in nature, I shall for the first time give things the shape of my will ... now I choose the direction of my thought and the direction of my faculties, my tendencies, my reality.

These terrifying forms which advance on me, I feel that the despair they bring is alive. It slips into this nucleus of life beyond which the paths of eternity extend. It is truly an eternal separation. They slip their knives into this center where I feel myself a man, they sever those vital ties which bind me to the dream of my lucid reality.

There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.

But at the same time, in reality, what a difference there is between the world today, and what it used to be! And with the passage of more time, some two or three hundred years, say, people will look back at our own times with horror, or with sneering laughter, because all of our present day life will appear so clumsy, and burdensome, extraordinarily inept and strange. Yes, certainly, what a life it will be then, what a life!

So it's hard to be an artist and be true to the reality of the world you want to create and also make it entertaining and successful financially.

I'm a product of older filmmakers I guess, the past where you get to make movies and scenes are what they are. You know if you think about Scorsese back in the day when he was making Taxi Driver, or Coppola or Frankenheimer, Sidney Lumet, they're making films where you witness violence in a real way.

I like being in real environments. I love being in the place that it's about - these sets and locations are characters in the movies. Can you imagine Breakfast at Tiffany's shot somewhere else? It's classic. Characters are part of storytelling; they're just as important as everything else.

It is necessary to get a lot of men together, for the show of the thing, otherwise the world will not believe. That is the meaning of committees. But the real work must always be done by one or two men.

Once you start to realize that a film is the sum of its editing, then editing is the thing you're always looking at.

They tend to be civil servants, often diplomats drawn from the Foreign Office, who may be very pleasant, intelligent people, but once they get inside the Palace they're riveted to the status quo and they lose track of public opinion in the real world.

The real triumph of civilization is the extent to which coercion is banished from human relations.

Although [in 1937] we might still hope to prevent the divisions of Europe into Fascist and anti-Fascist camps, our real affinities and interests, strategic as well as political, lay with France, a fact which some of my colleagues were most reluctant to realise.

Doesn't everyone see Reality as it is?

As soon as you look at the world through an ideology, you are finished. No reality fits ideology.

Negative feelings are in you, not in reality. Stop trying to change reality. That's crazy! Stop trying to change the other person. We spend all our time and energy trying to change external circumstances, trying to change our spouses, our bosses, our friends, our enemies, and everybody else. We don't have to change anything. Negative feelings are in you.

Unilateral tolerance in a world of intolerance is like unilateral disarmament in a world of armed camps: it regards hope as a better basis for policy than reality.

...the essential intention is the real sin. A man who cannot choose ceases to be a man.

I got starstruck not by someone who is famous, but by someone who's famous in the miniature painting community. When I was a kid, I used to paint miniatures. There were famous people in the miniature community from forums online. I went to some big event and I saw them in real life and I was so starstruck.

Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.

I want to clarify that one doesn't need to be a scientist or have fancy college degrees to know the truth about the health of our children, our communities, and the planet. Community members generally know far more about the health of their own communities than visiting "experts," yet that knowledge is often discredited because of another story that we tell ourselves: "real" education happens [only] in the halls of universities.

When you write, you lay out a line of words. The line of words is a miner's pick, a wood carver's gouge, a surgeon's probe. You wield it, and it digs a path you follow. Soon you find yourself deep in new territory. Is it a dead end, or have you located the real subject? You will know tomorrow, or this time next year.