Publishing Quotes - Page 2

There's a lot more to publishing a book than writing it and slapping a cover on it.

I have been blessed to have the same editor and work for a great publishing house.

The publishing industry is stuck somewhere in the Jurassic era.

Things evidently false are not only printed, but many things of truth most falsely set forth.

I have my own publishing company called 'I Am McLovin Publishing.

When I started as a writer, I knew nothing about publishing-nothing about anything!

The model of publishing is changing and its happening right now, but most publishers are so frightened, they just dont know how to embrace it.

For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.

If you look at the publishers I've worked with, generally, they're a great bunch. Creation is unlike any other publishing house you can think of. The people I've worked with have integrity and intelligence and, almost always, less money than ideas.

The music publishing I own is fabulous recording.

The strange thing is, we never owned our own publishing; it was always getting bought and sold.

I've never sold my publishing. I have 100% control of all of my publishing and that includes everything, every use of my songs.

I bless / all knowledge of love, all ways of publishing it.

Hence, when some members of the Iranian diaspora, especially women at the moment, use different tropes including the trope of the veil and the issue of gender to construct an image of oppression or to describe the 'silenced' Iranian woman, western intellectuals, policymakers, and publishing houses are all quick to introduce them as presenters of the authentic Iranian experience.

I was keen to challenge this vernacular as the role of the photojournalist was changing, and images were becoming urgent and more succinctly linguistic. This is why I moved to publishing artists who were challenging the veracity of both the medium and the profession through their works.

Being in the entertainment industry in L.A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.

I just thought I'd take a break from publishing for a while.

I think the publishing industry is dismayingly like the movie business. It grows more corporate by the day.

I hate this word 'graphic novel.' It is a term publishing houses have created for the bourgeois so they wouldn't be ashamed of buying comics... I'm not a graphic novelist. I am a cartoonist and I make comics and I am very happy about it.

I've been willing to go for years without publishing. That's been my career.

I worked for a publishing company in Hollywood.

The money can be decent, but I really don't recommend the work-for-hire route as an entry into publishing. Too many things can go wrong.

Publishing requires a lot of persistence and a fair amount of luck.

I'm happy to report that 'The New Press' is still in business to this day. But not thanks to me. I was a really bad publishing intern.

I spoke to my agent and learned that a Hollywood scout had seen my proposal in one of the publishing houses, and had faxed it to Hollywood, where it was generating a lot of interest