Past Quotes - Page 356

A writer can't subtract or excise any of his/her past because doing so would erase the work produced during that time.

For the first time driving that day I could feel the motion of the Earth. The Earth rushing through the emptiness of space. Spinning on its axis but they say you don't feel it, you can't experience it. But to feel it is to be scared and happy at once and to know that nothing matters but that you do what you want to do and what you do you are. And I knew I was moving into the future. There is not PAST anybody can get to, to alter things or ever to know what those things were but there is definitely a future, we are already in it.

After my parents passed away - in 2000 and 2003 - I felt I could take the time to think about the past and imagine what it would have been like to be my grandmother.

Ideas brush past fleeting and insubstantial as moths. But I let them go, I don't want them. What I want is a voice.

When we die, as when the scenes have been fixed on to celluloid and the scenery is pulled down and burnt — we are phantoms in the memories of our descendants. Then we are ghosts, my dear, then we are myths. But still we are together. We are the past together, we are a distant past. Beneath the dome of the mysterious stars, I still hear your voice.

I think the Trump thing is particularly egregious, and I think he's as much a product of the GOP lie machine in the era of Roger Ailes as he is of television. And also, of the Twitter era. Of the everything-is-as-reductive-as-it-can-be. To me, the most telling thing is we have a man who cannot complete a sentence. Certainly could never get to 140 characters, or past it. He thinks in tiny little bursts - the way he tweets.

A self is, by its very essence, a being with a past. One must look lengthwise backwards in the stream of time in order to see theself, or its shadow, now moving with the stream, now eddying in the currents from bank to bank of its channel, and now strenuously straining onwards in the pursuit of its chosen good.

I never wanted/expected to write a memoir, but this life thing, it has a way of sideswiping our worlds, scaring us so thoroughly that our past lenses of contextualizing events don't work - they cease to matter.

Today is going to be free of the past. Today, the past can't hurt me.

Today, nearly every competitive advantage of the past has been commoditized. Creativity is the one thing that can't be outsourced. The one thing that can separate a company, team, or individual from the competitive set. Today, precision execution is merely the ante to play. Sustained differentiation can only come from breakthrough creativity.

Business today is all about improvisation, which is the essence of jazz. Perhaps in the past we could just follow the operating manual and do what we were told, but today the world is too complex and fast. Today it's all about real-time innovation and creativity. Individuals may get hired based on their resumes, but they'll get promoted and reach their dreams based on their ability to create. In that context, being a jazz musician was the best MBA I could have ever received.

Consumers do not view communications in isolation. They bring with them all their past brand experiences and associations.

To establish yourself as a leading man, you're shooting for the smallest point on the target, and you get a lot of judgment thrown at you. It takes a lot for them to get past everything and just watch your art and what you're doing.

When you get into the series, the progression is much different. You actually have breathing room and the chance to sit down with each actor, which was a part of our process, to talk to them about their pasts.

You know a relationship has deteriorated past the point of salvage when one person detests another's gestures.

There will come a moment when the most urgent threats posed by the credit crisis have eased and the larger task before us will be to chart a direction for the economic steps ahead. This will be a dangerous moment. Behind the debates over future policy is a debate over history-a debate over the causes of our current situation. The battle for the past will determine the battle for the present. So it's crucial to get the history straight.

What Trump has announced - that he is going to not obey rules by which we govern our relations with other countries. He's going to reject the treaties that we have had in the past. He is going to go from what is called a multilateral system, where we all work together, to trying to deal country by country and basically throw out what has been achieved over a 60-year period.

An aged painter cannot help but accept the fact that his work belongs in the past. Younger painters have leaped into the phenomenon called contemporary, where it would be foolish of me to try to enter. But I can claim my own phenomenon.

I just think it's ridiculous to be dogmatic and be caught in the past. You have to be open, aware, nimble and flexible about changes in the world.

Evolution throws a wonderful light on all the struggles, eccentricities, tortuous developments of the human conscience in the past. It is the only theory of morals that does. And evolution throws just as much light on the ethical and social struggle today; and it is the only theory that does. What a strange age ours is from the religious point of view! What a hopeless age from the philosopher's point of view! Yet it is a very good age, the best that ever was. No evolutionist is a pessimist.

Surveying the way viruses have been discovered in the past, I came to the conclusion that I could use my technology that I developed as a graduate student - DNA microarray technology - to create a chip that would simultaneously screen for all viruses ever discovered, and furthermore have the built-in capability of discovering new viruses.

As failures go, attempting to recall the past is like trying to grasp the meaning of existence. Both make one feel like a baby clutching at a basketball: one's palms keep sliding off.

Mexico is now a country where we have justice and a rule of law that didn't exist here in past years.

I never want to abandon my roots. I want to give my past and the history of painting the importance it deserves, including the masters like Rembrandt, who built up the surface of the canvas with transparent layers.

In this initial illimitableness of possibilities that characterizes one who has no nature there stands out only one fixed, pre-established, and given line by which he may chart his course, only one limit: the past.