Past Quotes - Page 155

In order to be able to write well upon a subject, one must have ceased to be interested in it; the thought which is to be soberlyexpressed must already be entirely past and no longer be one's actual concern.

I was not especially enthusiastic about opera when I was young, and I thought I would never write one. I felt it was an art form of the past, with expensive singers exposing their high notes, and bad theater, and ridiculous stories which don't concern us. But then little by little I realized that it can be defined very differently, that on the contrary opera can be something profound and not superficial - a wonderful meeting point for all the other arts.

I like to have Chinese furniture in my home as a constant and painful reminder of how much has been destroyed in China. The contrast between the beauty of the past and the ugliness of the modern is nowhere sharper than in China.

We cannot live in the past, nor can we re-create it. Yet as we unravel the past, the future also unfolds before us, as though they are mirrors without which neither can be seen or happen.

My main expertise is in the past, but if I have to extrapolate into the future, I would say: no good news any time soon and an obvious exit strategy is not apparent to me.

It is important to note that multiculturalism does not share the postmodernist stance. Its passions are political; its assumptionsempirical; its conception of identities visceral. For it, there is no doubting that history is something that happened and that those happenings have left their mark within our collective consciousness. History for multiculturalists is not a succession of dissolving texts, but a tense tangle of past actions that have reshaped the landscape, distributed the nation's wealth, established boundaries, engendered prejudices, and unleashed energies.

One of the main jobs of conciousness is to keep our life tied together into a coherent story, a self-concept. It does this by generating explanations of behaviors on the basis of our self image, images, memories of the past, expectations of the future, the present social situation, and the physical environment in which behavior is produced.

In the field of consciousness research-and also in physics and astronomy-we are breaking past the cause-and-effect, mechanistic way of interpreting things. In the biological sciences, there is a vitalism coming in that goes much further toward positing a common universal consciousness of which our brain is simply an organ. Consciousness does not come from the brain. The brain is an organ of consciousness. It focuses consciousness and pulls it in and directs it through a time and space field. But the antecedent of that is the universal consciousness of which we are all just a part.

I loved her for so long. Our past trails behind us like a comet's tail, the future stretched out before us like the universe. Things happen. People get lost and love breaks.

The more we pull together toward a new day, the less it matters what pushed us apart in the past.

Too often we get distracted by what is outside of our control. You can't do anything about yesterday. The door to the past has been shut and the key thrown away. You can do nothing about tomorrow. It is yet to come. However, tomorrow is in large part determined by what you do today. So make today a masterpiece. You have control over that.

I think that all human systems require continuous renewal. They rigidify. They get stuff in the joints. They forget what they cared about. The forces against it are nostalgia and the enormous appeal of having things the way they always have been, appeals to a supposedly happy past. But we've got to move on.

I know there's a balance, I see it when I swing past.

You can't live in the past, musically if you do, you are dead.

I think the painted backgrounds in animations are absolutely stunningly beautiful. There's something really special about this medium. I don't believe audiences have grown past it. I think what audiences love is to be entertained-thoroughly, deeply entertained, and that's what I've always set out to do.

There is a wilful lemming-like persistance in remaking past successes time after time. They can't make them as good as they are in our memories, but they go on doing them and each time it's a disaster. Why don't we remake some of our bad pictures - I'd love another shot at 'Roots of Heaven' - and make them good?

We had an airplane, a Beechcraft Baron, that we - I had since 1981. And Annie [Glenn] and I both of had to have knee replacements unfortunately over the past year, and it made it more difficult to climb up on the airplane. We weren't using it that much so we did - it hurt a lot but I finally sold the airplane.

The emphasis on original, individual work in the past years has done a great deal to produce a crop of eccentric fakes and has carried art away from the stream of tradition. Tradition is our heritage of knowledge and experience. We can't get along without it.

Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.

The war between the Pastor and the Prophet will cease with the full emergence of the Apostle.... Are we going to be willing to submit our ministry to a specific Apostolic visionary? This is a critical question that will determine our influence on hastening the coming of the Lord, in our effective contribution to the restoring of all things spoken by the prophets.

Knowledge is humanistic in quality not because it is about human products in the past, but because of what it does in liberating human intelligence and human sympathy. Any subject matter which accomplishes this result is humane, and any subject matter which does not accomplish it is not even educational.

Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.

It is a great pleasure to transport one's-self into the spirit of the times; to see how a wise man has thought before us, and to what a glorious height we have at last carried it.

Writing history is a method of getting rid of the past.

It’s not always easy to get over some of those bumps in the road, those disillusionments and disappointments. It’s going to take a strong will. Sometimes, it may take courage. Sometimes nothing but faith in God and say, I refuse to be trapped in the past. I’m not going to let the past destroy my future. I’m pressing on. I’m straining forward, knowing that God has great things in store for me.