I've been really lucky. When I decided to go to L.A., I said I was going to quit modelling and just go and see how I do. In the first two weeks, I got three movies. I was so excited, I had all my furniture shipped out from New York.
I lived in New York for maybe a year and a half, from '95 to '97, but I live in Dallas. My whole family is there.
Appearing on the front page of the New York Times even given the state of papers today is still something that's seen by a lot of people.
I remember on page one of The New York Times the article about Fred Leuchter. The heading was "Can Capital Punishment Be Humane" and it was the story about an electric chair repairman and execution machine designer. And then buried in the back of the paper was the fact that Fred Leuchter had also been involved in holocaust denial.
Recently it's become much to my surprise, something that does happen. For example, I used to get almost all of my stories, and it's probably still true, from newspapers. Primarily from The New York Times. No one ever really thinks of The New York Times as a tabloid newspaper and it isn't a tabloid newspaper. But there is a tabloid newspaper within The New York Times very, very often.
I used to live in New York City, then when my son was two years old we moved to Cambridge Massachusetts and we've been there ever since. My son is now twenty-nine years old, so we've been up there for a while.
I actually wanted to publish [ interview with Donald Trump about Citizen Kane] in the New York Times, but the circumstances under which I did that movie made me vulnerable to a lawsuit and at this point in my career, I don't want to go there. But it's amazing.
I have very warm memories about New York, about the old times, mostly the '60s.
I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
I've always been intrigued with the variety of answers this generation will give their children who ask, "Where did I come from, Mommy?" They will range from "Number 176 vial in Buffalo, New York," to "You were defrosted."
I live in Brooklyn, New York. It is a melting pot of cultures and people. I walk down the street, and there is art on the buildings and people congregating who have been neighbors for years and events and music and freedom.
There is an energy in New York that is like nowhere else I've been, and I feel free there, and that is inspiring.
The older I get, I'm definitely getting pulled towards the West Coast, because it's a different quality of life. New York is great when you're in your early 20s and you're running around and it's really fun, but it's a place for me to get things done.
I love being a gypsy. Home is between New York and California.
Especially in New York, where things are quite chaotic, I work out to stay grounded. Having that time, whether I'm running or doing yoga I get to challenge myself by creating mini goals and have little personal victories.
I had a really negative look at the night-life side of Hollywood, which I really didn't like. I went to New York to focus on modeling, and then of course found that New York was not any different from Los Angeles.
I have actually programmed a fair bit in Perl, like I have C++ code published with my name on it. Other things I have tried and have no intention to do again if I can at all avoid it include smoking, getting drunk enough to puke and waste the whole next day with hang-over, breaking a leg in a violent car crash, getting mugged in New York City, or travel with Aeroflot.
There was a period of time between 2005 and 2008 that was pretty challenging. I had taken a leap of faith and moved to Los Angeles from New York, which had been incredible to me professionally. I couldn't get arrested in this town. There was a lot of doubt and fear that crept in, and boy, did insecurity stick her foot up in it. There were many obstacles that were overcome during that very dark period - creative, financial, emotional, and spiritual - and I'm here, standing, stronger than ever.
In New York there used to be some very good clubs with amazing sound systems. Techno was part of the process.
I think there are four or five interesting pockets where a lot of cool technology companies are getting started. Chicago is one of them. New York is certainly another. Silicon Valley really dominates. And you're seeing some stuff out of Boston and Seattle and down South.
Whether it is an attempt to bomb the New York City subway system, an attempt to bring down an airplane over Detroit, an attempt to set off a bomb in Times Square ... I think that gives us a sense of the breadth of the challenges that we face, and the kinds of things that our enemy is trying to do.
The idea that the Tony committee and the New York theater community as a whole have embraced Billy Elliot is very, very exciting.
If you make a street poster and literally paste it on the street in a city like New York, where it's such a mixed population and so densely populated, and it stays up for a full week and doesn't get covered up by something else or pulled down, you will have fifty thousand people who will have seen it. It will be the poorest of the poor - some homeless man who lives on the street will see it and probably appreciate it, or some businessman or landlord will see it. Everyone will see it. And whether or not they even realize that they saw it, on some level it's affecting their consciousness.
I started acting when I was in high school, started writing when I got to New York in 1975.
With 'Harry Potter,' I've been all over the world. I probably wouldn't have gone to New York so young if it weren't for the films.
