If I keep going outside, I get distracted - and all these lunches and things I get invited to, I just don't care. I just want to make the work. New York is very distracting.
I have people who come up to me and say, 'Oh, seeing your work in my little home town in the middle of nowhere on the internet inspired me to move to London, or New York and pursue a creative career.' It makes me quite emotional.
I grew up in New York, so I fell in love with acting on a stage, not in front of a camera.
I wonder if I ever thought of an ideal reader... I guess when I was in my 20s and in New York and maybe even in my early 30s, I would write for my wife Janice... mainly for my poet friends and my wife, who was very smart about poetry.
New York City is just one node on the global cultural scene. Social media reflects the state of the world, so I've become more devoted to that. To be a NYC artist feels local and small. Social media feels now.
The New York Times endorsed Hillary Clinton for President, they turned around and talked about the way Hillary Clinton and cohorts always went after these women [of Bill Clinton].
I read that book How to Hug a Porcupine [by Julie Ross] - it's my parenting bible. They say you have to trust your children and give them freedom. I say, OK, but this is New York City!
I was coming to be an adult, the AIDS epidemic happened. Moving to New York, watching that unfold, and watching the activism around that... it was complete chaos of life, and then this horrific non-response from the powers that be. There was a lot of misery and sadness tied up in that.
L.A. is brilliant, but however long my trip is I'm always ready to leave. But New York I'm never quite happy to see the back of.
A few years ago, if you had told me I'd be moving back to Glasgow I'd have said, 'No way'. But it's changed. It's much more vibrant, bohemian. But I'm 35 and I've become a bit of a homebody, I don't really go out much. Same in New York. My home could be anywhere but I love Glasgow.
The only dream I ever had was the dream of New York itself, and for me, from the minute I touched down in this city, that was enough. It became the best teacher I ever had.
It reminded me of what Dad said after every snail’s crawl home from Albany when snow hit.“It’s New York, people. It’s winter. We get snow. If you aren’t prepared to deal with it, move to Miami.
People who - and I think that's been a huge education for me. I think it's a - it's a privilege to be able to meet such a broad cross-section of New York and increasingly the world, and to get a feel of how people respond to visual culture.
The book was at a reasonably high position on the New York Times... before I was in the country. I thought it would be an interesting experiment to see if my presence here would push it up or down.
When I moved to New York, the reputation just followed me, and I am regularly invited to play in home games, by writers in particular, though finance folk also invite me on occasion.
I went to New York for Fashion Week and girls showed up waiting to see me. It's funny because there's a group of girls who I actually recognize because they always show up. It's nice and I'm like, 'Hi girls! I recognize your faces!' It's just like a feel-good experience.
I ran into Stephen King once in New York a few years ago and outside the Carlyle and he said, "You're in the pink." Which sounded so Stephen King. He's doing well I think after his accident and all of that, years and years ago.
I started writing it the day after Sept. 11. I was living in New York City. We didnt have any phone service and we didnt have any mail. Like a lot of writers do, I started to write in a voice that I missed.
I got a liberal arts education just because I felt like I should to keep my parents happy, but it was for them. If it was up to me, I would've just moved to New York.
New York is a great place to be fed in the arts. The arts in general are a large part of my life. The city was my postgraduate course.
My mother often says that she could never have done it if I had been the youngest, if she had other small children she had to cart around New York City for my auditions and go-sees (modeling auditions) and stuff.
I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
Broadway is a definite symbol of New York. It's classic New York.
As soon as I began to earn what might be called fairly large sums, I bought a car and began to explore the country around New York.
The New York waiter ... knows more than you do about everything. He disapproves of your taste in food and clothing, your gauche manners, your miserliness, and sometimes, it seems, of your very existence, which he tries to ignore.