I had one warden tell me since I've been out, and I visited an inmate in prison right here in New York, Warden Fay up at Green Haven. I visited an inmate in prison and he told me that he didn't want anybody in there trying to spread this religion.
I never will let anyone make, maneuver me into making a distinction between the Mississippi form of discrimination and the New York City form of discrimination. It's, it's both discrimination; it's all discrimination.
New York white youth were killing victims; that was a 'sociological' problem. But when black youth killed somebody, the power structure was looking to hang somebody.
Nothing changes and very little happens in Paris. This is a great place to work without distraction - and then I run away to New York, where I have a life!
When crime drops dramatically in New York for no apparent reason, or when a movie made on a shoestring budget ends up making hundreds of millions of dollars - we're surprised. I'm saying, don't be surprised. This is the way social epidemics work.
Without the New York Times, there is no blog community. They'd have nothing to blog about.
There seems to be less obvious corruption in city government and New York politicians, they aren't Republican or Democrat, they're New Yorkers.
Drug warriors' staunch opposition to needle exchanges to prevent the spread of HIV in addicts delayed the programs' widespread introduction in most states for years. A federal ban on funding for these programs wasn't lifted until 2009. Contrast this with what happened in the U.K. At the peak of the AIDS epidemic in the mid-1990s, the HIV infection rate in IV drug users in the U.K. was about 1%. In New York City, the American epicenter, that figure was 50%. The British had introduced widespread needle exchange in 1986. That country had no heterosexual AIDS epidemic.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."
I grew up in the Bronx, but in Riverdale - not exactly an area of New York that's known for being rough and tumble.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
There's always elements of danger in New York but people are always out on the street. I don't feel scared there at all.
[Juan Wauters] got the tips for Queens because he grew up there.So him and my roommate, Matt Volz, they hooked me up, New York Style.
That's what New York is like - you can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
My family are very, very religious in Texas. They're Southern Baptists. I left to go to New York when I was 17 and I realised I wasn't Southern Baptist. That's not how I am inclined.
I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.
To have a museum like the Museum of Modern Art in New York is to have power. I don't have any interest in being the director of an institution that has power.
New York... Babylon-on-the-Hudson, sinful, extravagant, full of the nervous hilarity of the doomed.
New York has no truck with the past. It expels its dead.
I thought of New York as a free city, like one of those prewar nests of intrigue and licentiousness where exiles and lamsters and refugees found shelter in a tangle of improbable juxtapositions. I had never gotten around to changing my nationality from the one assigned me at birth, but I would have declared myself a citizen of New York City had such a stateless state existed, its flag a solid black.
I wasn't born in New York and I may never live there again, and just thinking about it makes me melancholy, but I was changed forever by it, my imagination is manacled to it, and I wear its mark the way you wear a scar. Whatever happens, whether I like it or not, New York City is fated always to remain my home.
All this plan does is make everybody a capitalist. I know that the New York Stock Exchange says there are 25 million shareholders in the United States, but let me tell you something: about 15 million of those people could save their dividends for 10 years and maybe buy a new suit. That's not what I call capitalism.
London ... remains a man's city where New York is chiefly a woman's. London has whole streets that cater to men's wants. It has its great solid phalanx of fortress clubs.
It is one of the sublime provincialities of New York that its inhabitants lap up trivial gossip about essential nobodies they've never set eyes on, while continuing to boast that they could live somewhere for twenty years without so much as exchanging pleasantries with their neighbors across the hall.