I work on one page, revising and polishing until I can't make it better, then move on to the next. Some pages might get 20 or more drafts before I move on.
When things are baffling they usually don't unbaffle themselves.There's just, you know, a certain amount of baffling stuff that always, like, really baffles you, and I've found that it's best to accept bafflement whenever it comes along, and then move on.
As we move towards 8 or 10 billion people on the planet, there's a little less gold per capita. Each one of us will continue to be fighting over an ever smaller percentage of total resources. This is not a happy thought
So my husband is a health nut. He's a plastic surgeon, and over the years, he's explained to me exactly how important it is to take care of our bodies. It took me years to grasp this concept, but I finally got it, and it's a lifestyle for me now. When we go to a party, we eat off the veggie tray first before moving on.
The advertising marketplace is moving rapidly into digital videos. We know that by 2018 it is estimated that it will be a $12.2 billion business. We've been seeing the agencies combine their digital video spend with television spend and put it under one spend and just calling it "video." The pool of money is becoming much bigger. The comparisons between television and digital video are being made much more often because you can account for who's watching, you can't fast-forward through the commercials. There's a much more intimate relationship with someone watching digital video.
I've long been a fan of Adrian Piper's work. I find her performance pieces moving in their willingness to lean toward the absurd. Yet, there's a social critique in her interaction with people who may or may not have understood that the artist was present.
All media is moving, at light speed, toward development through viral channels.
Different moralities must share some general features if they are to perform their functions of coordinating beings having particular kinds of motivations. Morality is a cultural construction in something like the way bridges are. There would be no bridges unless human beings used them to move across bodies of waters or depressions in the earth, but a good bridge cannot be designed according to whim, but rather according to what would adequately fulfill their function and the nature of the materials that are available for their construction.
If the government can't get the economy moving again, they have a lot of fundamental problems.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
People don't have to put you in a box. You can have the confidence to move across, and combine and learn from each different practice. They inform each other.
College is a magic time. Yes, youre young and fickle, but you want to be part of this college experience... Then you graduate from that. You have your first job, moving to a new city.
I've always been more interested in organisms that can move on their own than in stationary plants. But when I canoe or hike along the edge of lakes or oceans and see trees that seem to be growing out of rock faces, I am blown away. How do they do it?
Less than 10% of the fuel energy burned in automobiles is translated into forward motion of the vehicle and even then most of this energy is needed to move the vehicle itself, which typically weighs 20 times more than its passengers.
Think about a seed. Once it lands, it's stuck. It can't move to find better soil, moisture or sunlight. It's able to create every part of itself to grow and reproduce with the help of air, water and sun.
You will ultimately be defined by the sum total of your responses to circumstances, situations and events that you probably couldn't anticipate and indeed probably couldn't even imagine. So just keep your eyes on the course and be ready to move in different directions depending upon the crises and opportunities with which you are faced.
There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.
I want to get away from it all. Move to the sticks. Montana. Hundreds of miles from civilization. Get a cabin in the snow. Curl up with some cute girl. Say stuff to her like, Scream all you want, sugar. Ain't nobody gonna hear you!
Baltimore's often called the most northern Southern town. It has a distinct essence. It's definitely post-industrial, definitely Rust Belt, very working-class. I grew up outside of Washington, and I felt I was moving to a completely different place when I moved 30 miles north out of college.
whenever I read a passage that moves me, I transcribe it in my diary, hoping my fingers might learn what excellence feels like.
People ask if I miss it, but they don't understand that American culture is so ubiquitous that there's nothing to miss. I don't see myself moving back. It's not that I hate the United States. I just always thought it would be a shame not to live in a foreign country.
As a melody instrument player, it's all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything's moving forward and it's all linear.
There were successful ways of expressing the attitude and less successful ways. I think that spirit is very much alive today actually. That's what a certain generation of curators is alert to or on the look out for: an attitude. And it is a brilliant and moving spectacle when it happens. That suspension of disbelief is something that we all respond to. But it's hard to capture the butterfly without tearing the wings off of it.
Really it becomes a question of architecture. How do you move people through a space and allow them to have an experience? I, probably more than most people, suffer from museum fatigue. I always want to just stay still or sit in a chair and look at one thing, but that's not the experience of the museum.
What most paintings do is give you a path for your eye to move around. The painting actually tells your eye, go here, now go here, now go here, go here. So all you have to do is look at it, give it a few seconds, and your eye will start to move through the painting.
