A police procedural novel can be even funnier if the police include Trolls and Dwarves and things like that. You start looking at the whole basis of the cop novel. You get the cop moving in a different way when you've actually set it in a fantasy city.
When people say "How do you write a book, how does it all happen?" I say, you line things up, and you line them up as actually as you possibly can, but sooner or later the book has got momentum and it's moving along under that momentum. It's like a sculpture, if you're working with the grain of the wood, the wood will start defining what shape it's going to become.
I have done a few roles that I've never watched, and if I happen to be flicking through channels and one pops up, I quickly move on. It's hard enough to sustain some self confidence without being reminded of things we'd rather not revisit but, in the end, it comes with the territory.
For a young cartoonist, they have to get going on the web, because that's where everybody goes for their information. And it really works. If you look at a cartoon on a computer screen, it really jumps and can be quite effective. I draw cartoons now, not how it will appear in the newspaper, but how it will appear on the screen. I think most of us do. Now the challenge is to make it move and animate it in a very fast, quick way.
It is the Democrats who get the economic engine of this economy moving forward again.
I have to match wits with the ads. Like, there's pop-ups that, like, move around and you have to chase them like it was a video game or something. And then there's ads where, like, you know, the X to, like, close the ad screen is so kind of small that you can't find it and you have to actually go looking for it. And so I spend all my energy - instead of, like, absorbing what the advertiser wants to communicate to me, I spend my energy trying to figure out how to defeat the ad.
Reasons are the spoils of victory. When you've destroyed the enemy, then your leaders write down the reasons in books, and give moving speeches about them. If you've done your job, then there aren't any of the enemy left to dispute your leader's reasons. At least not until the next war.
After that, I came back every year. Everyone said, 'Well, when you retire you can move there.' But I said, 'Why should I live my whole life where I don't want to be.'
If history moves forward, knowledge of it travels backwards, so that in writing of our own recent past we are continually meeting ourselves coming the other way.
The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.
And the psychedelics, I believe, are the key to moving from wearing culture like cloths to recognizing that culture is this intensifying reflection of an aspect of the self and integrating it into the self.
Perhaps, you know, new laws, new domains of potential openness are occurring as the universe ages, and complexity previously disallowed is now possible, and we are that complexity. We are nature moving out of its genetic phase - a phase under the control of chemical genes, which are physical structures, in to an epigenetic phase, a phase of culture ruled by codes, transformable culturally confined codes - mathematics, religion, philosophy, art, dance, humor.
What we really are is a community of mind, knitted together by codes and symbols, intuitions, aspirations, histories, hopes - the invisible world of the human experience is far more real to us than the visible world, which is little more than a kind of stage or screen on which we move.
Inwardness is the characteristic feature of the vegetable rather than the animal approach to existence. The animals move, migrate and swarm, while plants hold fast. Plants live in a dimension characterised by solid state, the fixed and the enduring. If there is movement in the consciousness of plants then it must be the movement of spirit and attention in the domain of vegetal imagination. (...) This is the truth that the shamans have always known and practiced. Awareness of the green side of mind was called Veriditas by the twelfth century visionary Hildegard Von Bingen.
It is curious that what these psychedelics do, on a scale of a community, is they release new ideas. . . . And that this is how culture moves forward. That culture is a phenomenon dependent on the generation of ideas, plans, notions, connections. So this is precisely what these compounds are doing.
The way you understand and investigate time is by moving inward, into metabolism. The human body is a knot in time.
It's going to be a busy meet for me, I knew that coming in, so I'm just trying to go through all my recovery strategies. Just forget about the last race and move onto the next. Hopefully I swam fast enough to get in, but we'll see.
I can find almost anything funny, thank God, so you search for the black, lacy slip that encases the corpse. You know, shift the angle. God may take away, but he often leaves you with a terrific opening line for the next adventure. I would suggest taking it. Move on; change the angle; look at it in a different way tomorrow.
I'm tired and it's taking an increasing amount out of me, more than I have to give physically. And that's why I want to move to Sicily and buy that little farm and raise a flock of goats and geese. I find it peaceful ... and it would be a nice way to end life.
It almost alarms me how free I feel on the ice. I don't think about the hospital or the groceries or the kids--I'm just in touch with myself. It's exciting when your whole body is moving in synchronous motion.
Joyce's writing in Dubliners contains some of the most unshowily beautiful sentences in the English language. I learned from him that if you write a good, clean line of English, you can get under a reader's skin. The reader won't even know why, but there you are. Didion, Berger, the many others I mentioned above, and many, many poets I haven't mentioned. Writers of this calibre are the moving targets the rest of us are always chasing.
I became aware of just how fleeting the sense of happiness was, and how flimsy its basis: a warm restaurant after having come in from the rain, the smell of food and wine, interesting conversation, daylight falling weakly on the polished cherrywood of the tables. It took so little to move the mood from one level to another, as one might push pieces on a chessboard. Even to be aware of this, in the midst of a happy moment, was to push one of those pieces, and to become slightly less happy.
Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.
I travel a lot. I'm on the move.
I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.