Mother Quotes - Page 329

Mother went off for three days to New York and Mame and Quentin took instant advantage of her absence to fall sick. Quentin's sickness was surely due to a riot in candy and ice-cream with chocolate sauce.

When she (my mother) passed away, I kind of understood the commitment that she made to make sure that I could stay in skating. And I wanted to live up to whatever I could. Not so much win everything, but just to be the best that I could possibly be, to honor her memory and everything she went through to make sure that I was given the opportunities to be the best that I can be. Not to be a world champion or an Olympic gold medalist, but to be the best that I could be. And that was the most important thing that ever happened in my career.

My Papa's Waltz: The whiskey on your breath Could make a small boy dizzy; But I hung on like death: Such waltzing was not easy. We romped until the pans Slid from the kitchen shelf; My mother's countenance Could not unfrown itself. The hand that held my wrist Was battered on one knuckle; At every step you missed My right ear scraped a buckle. You beat time on my head With a palm caked hard by dirt, Then waltzed me off to bed Still clinging to your shirt.

Genius is the father of a heavenly line, but the mortal mother, that is industry.

My stepfather and my mother, I love them to death.

Motherhood didn't make you stronger; it made you vulnerable and afraid of what death could steal from you.

I never saw a department store Santa as a kid. My mother was afraid to take me.

The journey toward authenticity, toward becoming whole is made palpable in Maureen Seaton's Sex Talks to Girls: A Memoir. It shines its considerable light on the passage from religion toward faith, from self-medication to sobriety, from daughterhood to motherhood, from being the disembodied 'good girl' to embracing her own bad lesbian self. In crisp chapters, Seaton leads us, step-by-step, over this harrowing and blissful road, so distinct from yet so much like our own.

I remember as a child, my grandmother read to me Silent Spring. It was incomprehensible to me that there could be a world without birdsong.

When I said, "I am my mother, but I'm not," I was saying my path would be my own.

I was extremely close with my mother and my grandmothers, we shared our lives - fully, honestly - and it was heightened as each succumbed to cancer. Little was hidden between us. No time. And what was hidden, turned inward. I made a vow to speak. Speak or die.

I can tell that in Refuge the question that was burning in me was, how do we find refuge in change? Everything around me that was familiar had been turned inside out with my mother's diagnosis of ovarian cancer and with the Bear River Migratory Bird Refuge being flooded.

I would say I am at peace with the mystery of my mother's journals. Of course, I will always wonder, but isn't that the creative tension of living with uncertainty? By leaving me her empty journals, my mother has made herself very present.

A mother and daughter are an edge. Edges are ecotones, transitional zones, places of danger or opportunity. House-dwelling tension. When I stand on the edge of the land and sea, I feel this tension, this fluid line of transition. High tide. Low tide. It is the sea's reach and retreat that reminds me we have been human for only a very short time.

Studies have shown that an ant can carry one hundred times its own weight, but there is no known limit to the lifting power of the average tiny eighty-year-old Spanish peasant grandmother.

I know it’s not the right thing to say to a lady, miss, but you are sweating like a pig!" "My mother always said that horses sweat, men perspire, and ladies merely glow…" "Is that so? Well, miss, you are glowing like a pig!

Colon has always thought that heroes had some special kind of clockwork that made them go out and die famously for god, country and apple pie, or whatever particular delicacy their mother made. It had never occurred to him that they might do it because they'd get yelled at if they didn't.

I've lost both parents in the last two years, so you pick up on that stuff. That's the most terrible thing about being an author - standing there at your mother's funeral, but you don't switch the author off. So your own innermost thoughts are grist for the mill.

You can't make people happy by law. If you said to a bunch of average people two hundred years ago "Would you be happy in a world where medical care is widely available, houses are clean, the world's music and sights and foods can be brought into your home at small cost, traveling even 100 miles is easy, childbirth is generally not fatal to mother or child, you don't have to die of dental abscesses and you don't have to do what the squire tells you" they'd think you were talking about the New Jerusalem and say "yes."

Anyway, why would you trust anything written down? She certainly didn't trust "Mothers of Borogravia!" and that was from the government. And if you couldn't trust the government, who could you trust? Very nearly everyone, come to think of it.

I'm really interested in, who's booked the guests, who's decided to have Lena Dunham and to have the mothers of sons who were shot - sons and daughters who were shot by the police and, you know, the other performers, Paul Simon and Alicia Keys.

I was in an adolescent psychology class at Citadel when the guy said, if you had a mother who was beaten, there's a great chance you'll beat your wife. And if you were beaten as a child, there's a terrific chance you're going to be a child-beater.

You have one Mord-Sith and one Mother Confessor, here, both in very bad moods. I would suggest you not give us an excuse to lose our temper, or we may never find it again in your lifetime." -Kahlan Amnell

Sexual activity, for women, has a history of vulnerability, in a way it simply does not have for men. The mother has to teach thishidden text to her daughter. The mother's warnings, her attempts to halt sexual development in her daughter, are not so much signs of disapproval or envy, but of fear.

The adolescent does not develop her identity and individuality by moving outside her family. She is not triggered by some magic unconscious dynamic whereby she rejects her family in favour of her peers or of a larger society.... She continues to develop in relation to her parents. Her mother continues to have more influence over her than either her father or her friends.