Mean Quotes - Page 935

There's no requirement that jobs be meaningful. If there was, half the country would be unemployed.

In the judgment of design engineers, the ordinary means of communicating with a computer are entirely inadequate. [...] Graphical communication in some form or other is of vital importance in engineering as that subject is now conducted; we must either provide the capability in our computer systems, or take on the impossible task of training up a future race of engineers conditioned to think in a different way.

It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn't happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn't have thought about it much.

I want to be alone and work until the day my heads hits the drawing table and I'm dead. Kaput. I feel very much like I want to be with my brother and sister again. They're nowhere. I know they're nowhere and they don't exist, but if nowhere means that's where they are, that's where I want to be.

I remember how much - when I was a small boy I was taken to see a version of 'Peter Pan.' I detested it. I mean, the sentimental idea that anybody would want to remain a boy.

I mean, being a child was being a child, was being a creature without power, without pocket money, without escape routes of any kind. So I didn't want to be a child.

Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not "a faithful image of an already realized interior being, but the very means by which it is realized.

Is not every action of Hamlet induced by a fanatical impulse, which tells him that duty consists in revenge alone? And dose it need superhuman efforts to recognize that revenge never can be duty? I say again that Hamlet thinks much, but that he is by no means wise.

Legacy doesn't mean a lot because once you have left, even if you are one of the biggest individual shareholders it only means [a small amount of influence]. But it's something I'm very pleased about.

One thing," I said, when we had broken apart and the swirling feeling in my head subsided. "Maybe...don't tell your mom too much about this. I think she has ideas." "What?" he asked, all innocence, as he put an arm around my shoulders and led me back toward his house. "Don't your parents cheer and stare when you make out with someone? Is that weird where you come from? I guess they don't get to see it much, though. From jail, I mean." "Shut it, Weintraub. If I knock you down in the snow, these kids will swarm and eat you.

Debbie had to get up and slice me a thick piece of cake before she could answer. And I do mean thick. Harry Potter volume seven thick. I could have knocked out a burglar with this piece of cake. Once I tasted it, though, it seemed just the right size.

Being an author means, almost by definition, that you make up characters and then complicate their lives. That's it, really. You make up characters and give them problem after problem after problem.

F.D.R. achieved greatness not by means of imposing his temperament and intellect on the world but by reacting to what the world threw at him.

Then he kissed her. Betsy didn't believe in letting boys kiss you. She thought it was silly to be letting first this boy and then that one kiss you, when it didn't mean a thing. But it was wonderful when Joe Willard kissed her. And it did mean a thing.

I do fear death. But what I actually fear is not dying. I mean, true, it will be sad. But I know that there is a better place waiting for me.

That is a horrible thing in a way, but it is the one thing poets can bring back to experience, this intense focus on language, which activates words as a portal back into experience. It's a mysterious process that's very hard to articulate, because it's focused entirely on the material of language in a way, but in the interests not just of language itself whatever that would mean - that's the mistake, by the way, that so many so-called "experimental" poets make - but in service to human experience.

Somewhere back a whiskey or so ago I wrote that thinking was a real thing in the world, just like anything else. I mean that very literally, materially. And it's true about poems, too.

There is all this stuff about how sensitive poets are and how in touch with feelings, etc. they are, but really all we care about is language. At least in the initial stages of the process of writing the poem, though later other things start to come in, and a really good poem usually needs something more than just an interest in the material of language to mean anything to a reader.

For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.

It is absolutely vital to preserve a space where the mind, by means of poetic thinking, can move in a free, even anarchic, way. It must do so, in order to find deep truths that would not be otherwise available, ones that we desperately need. Anyone who writes poetry knows what I'm talking about, because they've had the experience of thinking this way.

I do find it sometimes that people project their own feelings on to the characters and I think that there is a certain amount of sexism - I mean the proprietary nature, for men and women.

If we're going to ask our kids at age 18 to go off to war and die for their country, I don't see any problem with asking them at age 16 to think about what that might mean.

Certain elements of teen life that, 10 years ago, were very important to me still, are becoming less so as I get older. I mean, Ive kinda gotten over, I guess Im saying, the fact that I had trouble getting a date for the prom.

Jay-Z isn't actually any better than James Joyce even though more people understand him. I'm more interested in what's meaningful within the lives of individuals. And fiction will always be central to the lives of certain people, which is all that matters.

I heard a story the other night about an editor who visited the Iowa Workshop and, when asked what sorts of books she published, replied, "Classic books." One of the students asked her, "You mean like Kafka?" Apparently she said, "Oh, I don't think I would publish Kafka."