Mean Quotes - Page 928

At the risk, then, of being shunned by some of my gloomier peers, I venture to tell you that writers work like demons, suffer greatly, and are also happy, in unmistakable ways, some of the time. If we had no knowledge of happiness, our novels wouldn't sufficiently resemble real life. Some of us are even made a little bit happy, on occasion, by the writing process itself. I mean, really, if there wasn't some sort of enjoyment to be derived, would any of us keep doing it?

Although personally, I think cyberspace means the end of our species.

I mean, in terms of comfort, it was horrible, but we knew the sequence was going to be good. That sort of drives you forward when you know what you're working on is going to be fun. You'll go through all manner of discomfort to get the shot.

The second thing we did was said, OK, we've now identified the risk, but what do you want to do with the money? Because it's not enough to have risk; you've got to have a meaningful use for the money we give you.

You don't bargain with terrorists. You don't appease terrorists. And anybody who believes that this is about something we've done has to ask themselves why it is, on September 11, 2001, before we were in Afghanistan, before we were in Iraq, he committed a dastardly attack killing over 3,000 people. I mean, this is not a matter of negotiation; it's a matter of victory.

As a guy comedian, your special is probably the closest thing to the excitement of a wedding day. It's your first one, and you want it to be perfect, and you want it to mean something. You want it to look good.

I don't have a problem with many uses of the word genre, just certain ones. I have the most trouble when these labels are used to prevent discussion, to prevent a work from being taken seriously as literature. When we say "genre," we generally mean "something crappy," something that would be sold in an airport.

The world like our heads was meant to be escaped from, they are prisons world and head alike.

This is your life, Larry. Learn to enjoy what you've got.

I happen to like regionalism, whatever that means. I like the idea of art that somehow specifically reflects some aspect of a community or culture from which was created, the idea of uniform art sounds dreadfully boring and almost fascistic in its implication. So in that sense, I really celebrate the idea of a place that allows for a range of ideas and certainly L.A. does that.

For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to earn I don't put into clothes especially or things like that. I use it as a way of buying time to work. That's how I see money for me. It represents time to be by myself working on these ideas. So in that sense, the work is kind of a surrogate religion, maybe not so surrogate, maybe it is part religion.

I will say that walking down the street, getting on the subway, taking the elevator, if there's one or two people and they say, 'Great job, Mayor,' that is a real turn-on. I mean, anybody that wouldn't find that satisfying, rewarding, exciting, thrilling - I think they should see the doctor.

Once you become somebody, that don't mean you distance yourself from people. There is no such thing as no one can walk the streets or go outside. That I will never believe. There might be some fanfare. There might be some paparazzi, but you can control that. All you have to do is maintain the person you were before that when you would tell someone to back up or get out of my way or just stop and address people. Give them what they want. Have a smile, kick a few lyrics, and be out.

If you are going truly viral, you don't need press. I mean, MySpace grew for a very long time without any press.

I think every director's different. Every director's got his own style. I mean, when I directed, I basically just screamed for eight hours a day, twelve hours a day.

I never really got into any records purely thinking of them as a breakup record. I mean, honestly, for me, listening to a breakup record whilst dealing with one seems counterproductive!

I'm not sure I ever try to make a case for the music. I mean, sometimes the music isn't even that good. I just tell the band's stories; if I describe the music, it's to explain how it moved the overall story along.

Leaving America means renouncing your citizenship, moving out of the country and leaving family and friends behind. You can retain your citizenship if you like, but you'll still be away from loved ones and still be paying taxes. You lose all the good stuff about America and have to keep all the bad stuff.

Most people have an aversion to risk, my college economics professor told me. Which means they have to be rewarded to take on that risk. The higher the risk, the higher the possible payout has to be for people to jump.

I mean, I am a little different from the band in that I, I'm pretty much an isolated writer. I don't associate myself with a lot of other writers, unless like, I'll write someone like a fan letter, and we start talking from then on, or like a songwriter that I like, you know.

It's about love and loss, it struck me as a meaningful and compelling story, and the shifts in reality offered up strong visual possibilities.

Permanent weight loss means making small, manageable changes and sticking with them for life.

Does he have a nickname?' Diana went on remorselessly. 'I mean, 'gaiphage' is so long. Can we call him phage? Or maybe just 'G'?

He wanted to go running home to Mommy, what can I say? Of course, it's hard for me to believe that anyone would choose to step out of the FAYZ. I mean, where else do you get to eat rats, use your backyard for a toilet, and live in fear for nineteen different kinds of scary?" -Howard

I came up with myself. FAYZ. Spelled F-A-Y-Z. It stands for Fallout Alley Youth Zone. Fallout Alley, and nothing but kids." Howard laughed his mean laugh. "Don't worry, Astrid, it's just a FAYZ. Get it? Just a FAYZ.