As a director, it's my job to provoke, and when people decided 'The Room' be called a phenomenon, or whatever you call it, it's fine with me.
When I took the job as the manager of the Olympic team, I didn't take it because I was a Dodger. I did it because I was an American, and I wanted to bring that gold medal where it belongs in baseball, the United States. And that's exactly what our team did.
Strictly Business' is about a young black man who is learning about himself, and that applies to a lot of young black men, those who are trying to find jobs. This film gives them a good look at that situation.
I don't like the fact that we're not creating jobs the way we used to create jobs in Pennsylvania. I lament the fact that we're not setting the table for really robust economic development, here in Pennsylvania, where we can do that. I lament the fact that our schools are being hollowed out. We need a fresh start. I think we need to go in a different direction. I think we need a new governor.
Democrats have always historically referred to our families as working families, and I have sort of changed that moniker. I think what we have is a nation of worried families - families that are concerned about job security, families who thought their pensions were secure and now have questions.
Johnny Jewel is how people were maybe two hundred years ago. Back then, when people got up in the morning, they knew what they had to do to get through the day - there were 100% less decisions. Nowadays, we have to decide what we want to buy in grocery stores, what job to take, what work to do. But not Johnny. For him, it's all right there - it's a freer state, and that's what my music is looking for... ... To understand Johnny, you should think of William Blake. He was the same kinda guy.
Temptation is impossible for me to resist Come on. This is Hollywood. It's in the job description.
I haven't gotten fired from many jobs, but you finish a job and nine times out of ten you're just unemployed and you don't know where the next one is. And that does get old. It's stressful.
My job isn't to strike guys out, it's to get them out - sometimes by striking them out.
No one had more impact on my career than Gil Hodges. Playing for him was a learning experience, and he was a tower of strength. Not everbody liked him, but everybody respected him. He went about his job in a very professional manner, and it caused me to do the same with my job.
My day job is writing for television. So I've been on enough sets, and I know how things work.
I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.
The quickest way to be a little bit happier and more engaged in your job is to spend some time thinking about developing closer friendships.
You get in there, you get the job done and you get the hell out.
Steve Jobs is perhaps the most competitive human being I have ever met in my life, and yet I would argue one of the most artistic human beings I have ever met in my life. You can trash the movies all you want, but they do have an artistic component. And yet brutal competition knows no peers when it comes to Hollywood.
I always feel freelance writers are leading a heroic life. I think that is the real writer's life. On the other hand, it's good to have another job. It gives you something to do.
One of the principal impediments to job creation is uncertainty on the part of American companies, large and small. We've all watched as companies have sat on a lot of capital. They're uncertain about what tax policy is going to be. They're clearly uncertain about how health care costs. They're uncertain about all the regulations on capital markets.
There are a lot of little tricks you can do to inject a bit more time into the day. Most important is limiting yourself to a 40 hour week, not working 50 hours or 60 or 70. It's just crazy. It's actually irresponsible to you and irresponsible to your family and friends. Why should your employer's profits be more important than your own family? You're not even going to get any of the profits - all you get is not losing your job. It's a very negative system.
These days we seem more bound to our bosses than ever before. We even identify our own selves with the jobs we do: "What do you do?" is the first question we ask each other at parties, as if a job title could express a fundamental truth about our personality.
My job has always been to hold a mirror up to nature.
There isn't any great mystery about me. What I do is glamorous and has an awful lot of white-hot attention placed on it. But the actual work requires the same discipline and passion as any job you love doing, be it as a very good pipe fitter or a highly creative artist.
The easiest thing to do is to rag on the media, because it isn't doing a very good job right now. It is so much easier to profit from celebrating the worst aspects of ourselves. Acting strikes me as the antithesis of that. We can examine the worst aspects of ourselves, but we don't have to celebrate them.
I love what I do for a living, it's the greatest job in the world, but you have to survive an awful lot of attention that you don't truly deserve and you have to live up to your professional responsibilities and I'm always trying to balance that with what is really important.
I've talked to a number of actors who have gained weight for roles, and just the sheer physical toll it puts on one's knees and shoulders - no one wants to do it again. I'm 57 and I don't think I'm going to take on any job or go on vacation again and see to it that I can gain 30 pounds.
I met my wife in Washington, D.C. I was a senior in college. WW II was about to descend upon us. Jobs were starting to open up after a prolonged depression.
