Interesting Quotes - Page 172

I think it's interesting to speak when you have something to say.

I know a few women younger than me who have careers and children, and so the burgeoning career and family happen at the same time. A few have said something like, "During dating, he was all about feminism. But now I have to ask him to help with the children, I have to ask him to do the dishes, and every time he does, it's like a favor. Where's the feminist I married?" That's theoretical feminism, not practical feminism. I don't think we're all where we need to be. I don't know if we will be in my lifetime. Life is imperfect. But interesting.

I have the Google alert for marijuana articles come on my phone everyday. There are some interesting ones that have come up that I file away.

I think it's fascinating that there's a whole holiday dedicated to things that we fear and that's so interesting about the nature of humanity.

I usually find that the process of discovery is more interesting than the answers.

The world is a very complex and interesting place and that is what I really want my fiction to say: wake up to how amazing the world is.

If I had to write a rough draft, all the way through and then go back and start over, I probably would just stop writing. I wouldn't find that interesting. I would feel that I had committed so many things to the paper that I couldn't easily undo because one thing leads to the next, the interconnectedness, the sequences would make it very hard to change something that simply didn't work.

I think the world is an interesting place and I don't think anybody has the firm and final answer to what it is but I kind of assume there's a purpose.

That was interesting, riding in the trunk," Milo said, "but I wouldn't want to do it again.

Y'all take care of yourself now... strange and interesting friends are hard to find.

I grew up the son of a director and grew up on sets myself, so I was the kid getting dragged around from this set to that set and I loved it. There's something about it which is really interesting.

What's interesting in scripted TV is different than what's interesting in reality TV. Each of their departments have their development process where they package things and put together the writers and put together the producers and the different elements and develop the projects. By the time you get to a network or to a studio, you're able to say this is the project, here's who the producer is, sometimes even here's who the star is, here's who the writer is. It's a well-developed project by the time it gets to the studios.

I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.

David's [Cunningham] a very interesting character. He has more integrity than is good for him. So, everything he did after that sort of undermined what he'd done. Other people who kind of took life more cheaply, would have really gone for it. David almost did everything he could to scupper the whole thing, which I very much admire, but of course it was deeply irritating then, because we wanted to make a bit of money! So we made this very catchy tune and then he added a bunch of weird stuff which was all very strange.

I'm 64 years old, and I've been acting now for 42 years. Only recently have I thought to myself, 'Hmmm, it may be interesting to start directing.'

I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.

I've wasted a lot of time pretending to be interested in people who weren't terribly interesting.

I don't think my life is more interesting than anybody else's.

You really burden the reader if you put things in but, "Oh, it's not interesting, but I'll put it in anyway." Then the reader's going to think, like, "Mmm... no thanks." So the thing is to cut all that stuff out before its published.

I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.

I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.

The thing that was interesting to me about Relationshapes - as opposed to most of the other cartoons I've ever made - was I knew when one worked and when one didn't work, but I couldn't really explain it.

I'm interested in the structure of art and how it works. And the content is also interesting, but I don't want to keep the same structure and just plug in new content every week.

He is an interesting player - short back legs.

Again, when we view a scene fleetingly, do we consciously see all the details even though we don't retain them, or do we not see them in the first place? Neurological information is crucial to deciding these questions. After all, they are so interesting precisely because unaided introspection cannot resolve them. Rather we need to know what is going on in the brain activities that constitute visual awareness.