The sense of self is one of the obscurations that prevents us from seeing clearly, the idea that there is a self or that we are anyone in particular.
Opportunities, creative ideas or the lack of them, happiness, frustration, brilliance, talent, success and failure - all are determined by the state of mind that you're in.
Zen is about breaking out of your ideas and experiencing life and not ideas.
There is no evil, there's no bad; there's no good. These are human ideas. There's no creator, there's no creation; there's no God, there's no nirvana, there's no perfection. These are ideas.
You are fighting against nothingness all the time by creating a series of shields that you call personality, life history, feelings, ideas, and ways of seeing.
Attraction and aversion create a sense of self. There is no self. They are just thoughts. They are insubstantial. When you die, all the ideas of self will go away.
When I talk about subtle bodies, causal bodies and things like that, it is a good idea not to take it all completely literally. It cannot be put into words.
You can enjoy the ideas of salvation, as long as you realize that there's no one to be saved.
Schiller is an important philosopher because he shows just how integral the idea of beauty is in normal life.
The aesthetic dimension of the ideal state comes out in the idea of harmony, which is the classical idea of beauty as "concinnitas" or "unity-in-variety".
The absolute as the idea is neither subjective nor objective; it is the intellectual structure under which they are subsumed.
To live well is to live in harmony with ourselves, others and nature, and that idea of harmony is, of course, an aesthetic one.
The idea of romanticising the world goes back to the idea of creating a harmonious whole where the individual will feel at one with himself, others and nature.
When I see people laughing at ideas and companies we have backed, I smile. It means we are going to make a lot of money on that investment.
I use beauty as a way of helping people to receive difficult or upsetting ideas. The topical issues are merely a vehicle for making one aware of one's own perceptual shift-which is the real thrill.
You're learning the whole time. Halfway through a movie, you've got a lot of ideas, a lot of things that maybe you've learned and that you then wish you could apply, but you can't. You just have to finish the movie in that world that you're in. Maybe what you've learned you can apply somewhere else.
It is important to expose yourself to ideas you don't agree with from time to time. Attend a political rally of a party you do not like.
I can't stay engaged for years with a book unless it has feelings. It can't be an idea for me - it has to be a felt thing.
When I speak or when I offer ideas and explain how the universe seems to work from the point of view that I've understood, it seems to give people a lift - an unshackling or freeing.
We laughed a lot and I grew warmer still, lovely and warm. I do realize that some of that warmth was due to the wine, but there was much more to it than that. There are two distinct aspects to Communion wine: one aspect is the wine itself, the other is the idea of communion. Wine is certainly warming, but communion is a great deal more so.
It is true that I can trip over anything and nothing – a speck of dust, a patch of sunlight, an idea. I move through life like a person with one eye, through a landscape that looks flat, but is really tricked out with hidden depths and shallows. It didn’t use to be so, but no matter. I navigate the world well enough in my own way.
The chief problem is, of course, whether the marching of the general spirit of things is heading consciously or sub- consciously toward an idea of extension of boundaries.
New ideas can be good and bad, just the same as old ones.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
Scarlatti [Kirkpatrick] started writing sonatas when he was 66 and the idea that he ran off 500 or so after he was 66 was just too much for me to resist. It's just great.