Ideas Quotes - Page 579

We have started something called the Corporate Services Corps. Now, it was modeled after the Peace Corps from long ago, the 1960s. And the idea was in this modern day and age, how do you get IBM’ers around the world to be global citizens? You know, globally aware, contribute, understand how to work in that environment, but do it on scale.

It is important to stop being critical and judging ideas as good or bad because I think if somebody doesn't have a lot of experience you worry their idea is going to be bad, it's not going to be good enough, if not going to be active enough and so you can start to think critically about people's suggestions or what they bring to it but once you get out of that and think whatever they come up with is the right thing right now and so I'm just going to build on it just makes everything so much easier and better.

I think we are used to being critical and evaluating ideas.

I also have learned as an actor, this ties in the principles of improv, sometimes someone gives a piece of instruction and my first reaction is "I don't want to do that." I've always learned that every time I just say yes and go for it something happens. Whether it's what the intent of the direction was or not or something new happens. It's just remaining open to other people's ideas.

I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.

I think there is something very relatable in the idea that you hit a certain age, later in your life, where you realize you have to pick up the rug and see what's underneath it and deal with stuff.

I'm proposing to you that photography is a language on its own, which is that when you look at images you do derive ideas; and I'm also proposing to you that you can derive ideas without going through words. So I'm forcing you to really look. And this process of looking, it's like a new set of ideas that are being proposed to you.

I just saw dialogue, in the audition, and had no backstory. I was like, "I'm just going to be myself because I have no idea who this is or where he's coming from." The typical questions that actors have to ask themselves were very hard. I had to imagine, a little bit, and just made it work.

The old idea that the joke was not good enough for the company has been superseded by the new aristocratic idea that the company was not worthy of the joke. They have introduced an almost insane individualism into that one form of intercourse which is specially and uproariously communal. They have made even levities into secrets. They have made laughter lonelier than tears.

Liberty is the very last idea that seems to occur to anybody, in considering any political or social proposal. It is only necessary for anybody for any reason to allege any evidence of any evil in any human practice, for people instantly to suggest that the practice should be suppressed by the police.

The central idea of poetry is the idea of guessing right, like a child.

There are no new ideas about female education.

Nine out of ten of what we call new ideas are simply old mistakes.

When once you have got hold of a vulgar joke, you may be certain that you have got hold of a subtle and spiritual idea.

I find Washington audiences are basically the same as every other audience; they watch me and go, 'Who's idea was it to go see him? And is it too late to ask for my money back?'

The idea is to have global standards. There is so much travel that if you just had a regional standard, it would probably ultimately have to be changed.

It is a difficult thing to like anybody else's ideas of being funny.

It strikes me as very strange that whereas Tennyson could support most of Mr. Buckley's propositions about free trade, and the private sector, and private enterprise, Tennyson found no difficulty also in lending intellectual support to the idea of Women's Liberation.

I do a lot of research, I try to think about how it relates to music and I just do a ton of drawing. It's much easier to work your ideas out that way.

There's not a lot of art forms where you can control your presentation and your ideas.

I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."

If I give you my idea and you give me yours, then we each have two ideas, and together we have four.

One thing I've learned as an actor as well as a producer is to trust my own instinct. When I first started acting I would sometimes have ideas about certain things, whether it's a scene, or a character or certain dialogue, that wouldn't be followed. I was never in a position to have the power to press the matter. Sometimes it wasn't even about my character. But I'd watch the movie afterwards and think I was right.

I had been afraid of breast cancer, as I suspect most women are, from the time I hit adolescence. At that age, when our emerging sexuality is our central preoccupation, the idea of disfigurement of a breast is particularly horrifying.

Tolstoy is one of the greatest artists in history, but he finally became infused with the idea of the uselessness of art. He gave himself to his own kind of religion.