Ideas Quotes - Page 538

So, as one sees, I by no means deprive my world of stubborn reality, if I merely call it a world of ideas.

People are really stuck on their ideas about themselves.

I'm always reading. And I keep a whole list of stories, often unusual stories. There are a hundred some-odd ideas on that list.

The general ideas which are expressed in sketches, correspond very well to the art often used in poetry... every reader making out the detail according to his own particular imagination... but a painter, when he represents Eve on canvas, is obliged to give a determined form, and his own idea of beauty distinctly expressed.

From a slight, undetermined drawing, where the ideas of the composition and character are just touched upon, the imagination supplies more than the painter himself, probably, could produce. And we accordingly often find that the finished work disappoints the expectation that was raised from the sketch.

If you were a medieval scholar reading a book, you knew that there was a reasonable likelihood you'd never see that particular text again, and so a high premium was placed on remembering what you read. You couldn't just pull a book off the shelf to consult it for a quote or an idea.

Believing in an idea is dangerous! Because belief is absolute, and absolute, is unconditional, it is supreme, its ultimate and therefore fixed, which by definition will never be acceptable to change.

It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas.

And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.

There is a challenge of doing something new. Sometimes you have to suspend whether you believe in yourself doing it and just give yourself over to the idea that they believe in you.

It's the South that maintains the idea that they're different, which is interesting because nobody else really cares

New York has got this sort of wonderful romantic idea of the South

Anyone who wasn't half-stoned on pain meds would have instantly realized what a really bad idea this plan was, but since that didn't include me, I didn't worry about it.

I almost find it very attractive when a woman has no idea who I am.

I don't have a favorite I like and then I'll go and watch "Days of Heaven" and I go how beautiful is that. So I think, at least my idea, was lets bring something again that's primitive and guttural but then let's also do something beautiful where you're outside and this isn't a typical western setting. It's lush. It's green. It's beautiful.

You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."

When people floated this idea that this was a conspiracy by the [Jeb] Bush campaign to undermine [Marco] Rubio, at first, it was like it`s too complicated, wheels within wheels but as I thought about it more I did buy that, that this is part of a campaign by Jeb to make it look like there`s no backup plan to Donald Trump, try to blow everything up and then all that will be left is Donald Trump and Jeb who nobody really likes but who has a ton of money and then he`s the only option left.

Letterwriting is the natural outlet of the "odds." The busy-bodies, the idle, the perverted, the cranks, the feel-it-my-duties ... Also the plain depraved. They all write letters. It's their safe outlet, you see. They can be as interfering, as long-winded, as obscene, as pompous, as one-idea'd, as they like on paper, and no one can kick them for it. So they write. My God, how they write!

I'm interested in finding sounds and ideas that help bring the audience into the world that we [moviemakes] are all trying to create. Sometimes that's with synthesizers, and sometimes that's with French horns. I love using all of them, depending on the scenario.

I like the idea of the painting looking at the viewer than the other way around.

The idea itself, the notion of what the next Tron could be, is exciting enough that it would be worth going back to do it. Obviously we hinted some things at the end of Legacy, it's kind of there for people to see what that potential is. So we just want to make sure that we have a script that delivers on that promise on an epic scale."

So Disney has their full support behind it, which is great, but again it's got to be the right story. It's got to be a script that's up to snuff and worth going back for. The idea's there, the ambition's there, the excitement's there; but we need to have all the pieces in place before they would ever pull the trigger on that.

I don't wear glasses, so I like the idea of not having to put them on to watch a movie. It's a hard barrier to get beyond.

Go out and make something that reflects your interests, your taste, and your ideas. No one will pay you to make something until you have a few things you can show that you've directed. I got my start by making short films on my own.

To the liberal ideas of the age must be opposed the moral ideas of all ages.