The first dolly track was somebody who had the idea to put the camera on a boat on a canal. So the boat would move very slowly but steadily. So they would see all that surrounds you and you'd see the landscape changing slowly. So that was the first time.
I think animation is a very truthful way to express your thoughts, because the process is very direct. That's what I've always liked about animation, particularly abstract animation. You go from the idea to execution, straight from your brain. It's like when you hear someone playing an instrument, and you feel the direct connection between the instrument and his brain, because the instrument becomes an extension of his arms and fingers. It's like a scanner of the brain and thought process that you can watch, or hear.
I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.
I don't like the idea of competition - maybe because I kept losing them when I was a kid. Maybe it's better to be the one who loses?
I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.
The idea that competition is pointless is really something that speaks to me, especially in America where competition is really prominent and very overwhelming, and it doesn't bring the best out in you because what's going to push you is to bring others down.
The problem is when you get forced to use ideas that aren't good. When I can filter the ideas and use the best of them, I am happy to collaborate.
I want to explore new ideas and put myself in a place where I can finish a project that is more unusual or that doesn't seem doable.
This idea is more surely understood by interrogation; WHAT DO I KNOW? which I bear as my motto with the emblem of a pair of scales.
The whole idea we have for their chastity is ridiculous. They would have to become numb and invisible to please us. I don't know whether the exploits of Alexander and Caesar really surpass the resolution of a beautiful young woman, bred up in the light and commerce of our society, who still keeps herself whole. There is no doing so hard as not doing.
I go back to [the idea] that we are avoiding all of these unknowns, we're avoiding the night - most of us - we're avoiding the encounters, but we're also afraid to deal with something unknown, unseen.
It is a river of ideas from which I fish out sounds that make my soul happy.
I couldn't bare the idea of not being in regular communication with the audience I love - young women of color.
What needs to be grasped is that the system itself is the cause of all of the misery in the world. This is a simple but powerful idea.
I don't particularly like the idea that there's an arc to the story and that therefore in this scene you have to convey this bit of information or emotion. I like more the feeling that, of course, there is a shape to the story, but that each scene should feel right, should be true at that moment, and that gradually you accumulate these moments of truth until you get enough of them together that it becomes a story that's interesting.
I was fresh out of drama school and had no idea what I was doing. They hustled me along and Bill Cosby tolerated my rookie behavior. It was great. Once you have 'The Cosby Show' on your resume, you can keep going.
We have a centrist nationalist group of people in this country, lots of them, and we have a socialist group of people in this country, lots of them. And that's not, to me, the American idea.
Nothing bonds a group of people better when they are thrown into a situation where they have no idea what's going on and what's going to happen.
The idea that recording itself is an instrument.
We want to be open-minded enough to accept radial new ideas when they occasionally come along, but we don't want to be so open-minded that our brains fall out.
Good collaboration essentially boils down to personalities who work well together and are able to integrate each other's notes and ideas without killing each other.
Have you any idea how to wake a hibernating Elder?” Machiavelli shook his head. “Mars, what about you? Any advice?” “Yes. Don’t.
Every story starts with an idea, but it is the characters that move this idea forward.
As a viewer of TV shows, I always like shows more when I just feel like the people in charge have a plan. You can just tell sometimes, 'Oh, there's a plan there. They have an idea for how this is going to unfold.'
And we're being attacked because of what we do, not because of who we are. And by refusing to talk about that, I'm afraid the American people, at least, don't have a good idea of just how dangerous the threat is that we face.