"Connected" is the triumphal cry these days. Connection has made people arrogant, impatient, hasty, and presumptuous... I don't doubt that instant communication has been good for business, even for the publishing business, but it has done nothing for literature, and might even have harmed it. In many ways connection has been disastrous. We have confused information (of which there is too much) with ideas (of which there are too few). I found out much more about the world and myself by being unconnected.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
Though I carry enough electronics to get nervous in a lightning storm, I love paper and I always have a Moleskine journal with me to capture notes, conversations and ideas.
Take cyberspace as an example. We had this wonderful utopian vision of a new home for the mind. What we've reaped isn't cyberspace. It's cyberbia. It's this vast, bland wasteland of vulgar people and trivial ideas and pictures of half-naked starlets. But despite all the uncertainty, has there ever been a more fascinating moment to be alive?
The difference between our collective generation and your generation (differentiating the reporters from the students) is that we poured our souls out on paper that got easily yellowed and lost. The danger is that many of your friends (nodding at the students) are putting intimate ideas in cyberspace journals. So when today's 15-year-old is 40, some friend is going to drag out all of that idiotic stuff at their class reunion.
I favored the idea of Trans-Pacific Partnership, but I did not support the administration - the [Barack] Obama administration TPP. There are three or four things they did in that, that I though were terrible agreements that were not worth supporting.
There is a reason people in America are disappointed and restless. If opportunity seems like it's been slipping away, that's because it has. And liberal progressive ideas have done exactly nothing to help.
We have to sell conservatism to non-conservatives. We have to take our principles and apply them to problems and go sell them to people. We need to show that we have better ideas.
A lot of people don't believe in the American idea anymore.
Let's take our fight to our opponents with better ideas. Let's get on the offensive and let's stay there. Let's compete in every part of America and turn out at the polls like every last vote matters because it will.
In fact, I had the idea because of Peter Falk. I saw my dad watching a Peter Falk movie and something clicked in my head. I gotta go make a movie for Peter Falk and me
Over the years, there certainly have been plenty of ideas that I've had and given up on, but for this one, the only thing that was standing in its way was me doing it - I just had to write it... And then if it didn't happen, it didn't happen. But I didn't want it to be for lack of effort on my part, so I had hunch that it would be a good story and that we would work well together. And it certainly worked out that way.
We all hold on to some image of the family we want, based one way or another on the family we had. Lots of people are thrilled about the families they came from, others couldn't get away fast enough. Most people fall into that vast middle ground: great affection mixed with a few ideas for improvement. A couple of things they wish could have perhaps been done differently.
When I collaborated with Nelly Furtado, the idea for the song structure came from myself, but the lyrics and the ideas behind the songs came from her.
I have an extraordinary attention span. I manage to juggle two or three different ideas at the same time, and that's probably, if I have a gift, that's probably the best gift that's given me.
And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it.
Through pop music ideas, energies and resources can emerge that can help the audience release themselves from the unrelieving confinements of environment.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
I hate the idea of success robbing you of your private life.
I never look forward, because I have no idea about how any of it happened to getting here. I've no idea how the next five years are going to be.
If you're using your imagination, you tend to look into the past for ideas.
I wrote a lot of software to do various kinds of special things, and I loved the idea of composing pieces in an electronic studio.
I found myself recycling ideas and I saw that I had to invent reasons to compose a piece rather than start from some exciting idea.
Walter C. Wright has a more cogent presentation than my father did about [gravity] being a push. But he had the same basic belief, that the idea of magnetism attracting something was not the reason why the effects of what we call gravity occur.
I really think that people have to think safety; taking risks for higher yield is a bad idea once you're in late or latish middle age.