Well, I don't know. When I signed my contract, I signed to play Loki in five more Marvel movies, but they were unspecified. So, if there will be more movies or not remains to be seen, but I like the idea of Loki turning up in the shadows when people least expect him, but you never know these things, the world changes and the things change, but I feel like I know who Loki is, so I wouldn't mind.
I definitely go through periods where I'm in a particular mood, or there's a consistent imaginative context that I feel I'm in, and I'm drawn to certain things. I can sometimes feel it when I'm moving away from something that I was once interested in - an idea or an exploration of particular relationships. I go, 'Well, I think I've done that and I don't want to do it again.'
I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.
I don't really like to just sit down at a computer and write because that tends to be a little forced. Sometimes the funniest ideas just happen in the moment, when you're talking to people, or you notice something.
Most Europeans have no idea how wild life can be in north America.
We, as Americans, have so much to learn here. We have a shockingly low level of global awareness and familiarity and little idea of how the world sees us. And those disturbing facts keep getting us into a lot of trouble.
I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.
I already love the idea that Barry has a colleague. It seems like a love/hate thing between my character and his already. They work together, so they clearly have some tolerance for each other, but they're just ruffling each other up the wrong way, constantly. I don't know whether that will lead to him being suspicious of Barry's identity or whether he'll have some clash with The Flash.
In spite of what Draco is like, I really like school, and I miss it a lot when I'm filming. I've a fair idea what I want to do for my GCSEs, I will definitely be doing music.
Only business can build a low-carbon economy. Business is all about seeing ideas and growing them. Businesses have the resources, the people, the technical skills to make things happen - and they have the channels to market
For all its faults, it is partisanship - based on core principles- that clarifies our debates, that prevents one party from straying too far from the mainstream and that constantly refreshes our politics with new ideas and new leaders.
I spoke at TED Global 2010 about the ways that video games engage the brain, and in particular, the idea of reward structures: how a challenge or task can be broken down and presented to make it as engaging as possible.
What strikes me most about Best Buddies International is the simplicity and magnitude of the mission. Friendship is a simple idea.
I studied engineering at MIT. There, the late, great physicist Philip Morrison introduced me to the idea that, in any system, there exists the inevitability that an event will occur which is completely unrelated to anything that preceded it. It completely changed my perception of "impossible."
I have literally no idea what it's like to shoot a 2D movie. I'd only shot things that were 7 minutes long with a video camera in my apartment with friends.
There are a lot of ideas I have that I think would be very marketable and commercial, but they're not as compelling to me as the ones that are unmarketable, uncommercial, and unprofitable.
What makes me angry is the idea that people would be going to a movie because of what I said about it. It makes me feel, I don't know, arrogant, self-important, self-aggrandizing, whatever. Like I'm being used.
I don't make movies with the idea that people are going to walk out of them feeling comfortable or better about themselves or more secure in their own biases or opinions.
Doing a love story as a genre, and looking at love stories in movies, and feeling like I learned stuff about that, and that it broadened my view and my idea of what I can do, and how I can work with the people around me, that was such a great, really satisfying experience.
I think by around the time I was about 8 or 9, the idea of filmmaking probably took hold. I made little Super 8 extravaganzas when I was a kid, the first being my own version of Romeo and Juliet, and where I played all the parts except for Juliet.
The graphic novel? I love comics and so, yes. I don't think we talked about that. We weren't influenced necessarily by graphic novels but we certainly, once the screenplay was done, we talked about the idea that you could continue, you could tell back story, you could do things in sort of a graphic novel world just because we kind of like that world.
It is an essential tenet of our whole representative form of government, the idea that there should not be some tyranny which makes it so nobody can even have a chance to vote.
If you accept the idea that photographers, or some of them, are actually artists, then you have to look at their work less as a document of something than as a personal vision of the world.
I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.
When I was done with high school, I knew that music was really important to me and I knew I didn't want to be a cellist, but I wasn't really sure if I wanted to be a composer, or think about - I was just interested in the ideas behind music, I was interested in mathematics.
