I think actors have a greater responsibility when doing comedy. It's as easy as anything to get cheap laughs, but that's not the idea at all. "The slight trip syndrome," we call it. With tragedy one can get away with things a bit more because audiences don't always know how to react.
The idea is that to grasp an idea like equality or justice, you can't look at the equal and just or unjust things in the world around you, you have to somehow ascend to or maybe remember some kind of idea of equality and justice and this would be a Platonic form, and it would be different from the things that partake in the form.
For a while I was perfectly happy not performing with 'The Who.' From 1982 to 1989 I felt 'The Who' did not exist. I let the band go, in my heart. However, Roger Daltrey had other ideas. He would not let go.
I love the idea that horror and fear is a celebration of health and life.
Building a professional relationship on respect as opposed to affection is a very good idea. Running your art projects the way you'd run a dry-cleaning business is also a really good idea. You shouldn't go into work like you're going on a date, like you're hanging out with friends.
The most complete and true happiness comes in moments when you feel right there, completely present, with no ideas about good and bad, right and wrong - just a sense of open heart and open mind.
The idea of retirement seems to imply that you stop doing what you always did. Why would you do that? I don't get that.
Asked if he knew how important Stardust would be, Mitchell Parish said he did have a gut feeling that this was a momentous one. But had no idea it would become a standard. You don't sit down and write a standard, he explained. A standard evolves.
I do the work with friends who are musicians as well. I'm working on a piece of music and I have an idea of who I want on the vocals, but I don't really have a list.
Freedom of mind and mind itself have been most fully developed in regions where trade developed at the same time. In all ages, without exception, every intense production of art, ideas, and spiritual values has occurred in some locality where a remarkable degree of economic activity was also manifest.
Was it a good idea to spend taxpayer dollars on electric cars in Finland, or on windmills in China? Was it a good idea to borrow all this money from countries like China and spend it on all these various different interest groups?
I'm very proud of my pro-life record, and I've always adopted the idea that, the position that the method of conception doesn't change the definition of life.
If I find a great idea, I work on it at the beginning, then bring in other people to make things work. Actually, I've always been good at getting out of work.
...academic credentials are neither a necessary nor a sufficient condition for having your ideas taken seriously. If a famous professor repeatedly says stupid things, then tries to claim he never said them, there's no rule against calling him a mendacious idiot - and no special qualifications required to make that pronouncement other than doing your own homework.Conversely, if someone without formal credentials consistently makes trenchant, insightful observations, he or she has earned the right to be taken seriously, regardless of background.
Science is not sacrosanct. The mere fact that it exists, is admired, has results is not sufficient for making it a measure of excellence. Modern science arose from global objections against earlier views and rationalism itself, the idea that there are general rules and standards for conducting our affairs, affairs of knowledge included, arose from global objections to common sense.
So how can we test the idea that the transition from nonlife to life is simple enough to happen repeatedly? The most obvious and straightforward way is to search for a second form of life on Earth. No planet is more Earth-like than Earth itself, so if the path to life is easy, then life should have started up many times over right here.
Our need is so desperate an idea, a thing, a law can't help us. It took one thing, the gift of gifts, God in the flesh, to rescue us.
An agent friend of mine who will remain nameless said you can't make a romance about homeless people; nobody wants to see them kiss. And I thought, what a repulsive, repugnant, extraordinary thing to say. I had to think about the fact that the world is probably full of other people who feel like that. The very idea that we spend time trying to humanize humans is extraordinary to me.
I don't think you can get an idea of what Israel is like until you get here. People don't realize what a great place it is.
My mom raised me with the idea of doing public service, and I definitely want to go in that direction. But I also want to follow in my dad's entrepreneurial footsteps.
What do they do to students at the University who eavesdrop?” Bast asked curiously. “I haven’t the slightest idea. I was never caught. I think making you sit and listen to the rest of my story should be punishment enough.
With slow care rather than stealth we must approach the subject of a certain woman. Her wildness is of such degree, I fear approaching her too quickly even in a story. Should I move recklessly, I might startle even the idea of her into sudden flight.
Fantasy is a genre that allows me to create anything I want. That, in turn, allows me to explore any sort of idea I'm curious about. I love it because Fantasy is a genre that asks, "What if...?" That's my favorite question.
Whatever the flows of our modern times are the idea is that you can create something new out of nothing.
If you work with so many classical instruments... I mean, it still has this power, and it's still connected to the idea of techno. But it has its own quality, its own sound. It's in between, even more than the record before. You need to give every instrument, sound, and element the space it needs.