Girl Quotes - Page 382

Breaking down that wall is the kind of story that might have a happy middle - oh, look, we broke down this wall, I'm going to look at you like a girl and you're going to look at me like a boy, and we're going to play a fun game called Can I Put My Hand There What About There What About There.

Tiny, the next time that you try to set me up with a girl with a secret boyfriend can you at least INFORM me that she has a secret boyfriend? Also, if you don't call me back within five minutes, I'm going to assume you found a way back to Evanston. Furthermore, you are an asshat. That is all.

And I vaguely remember her smiling at me from the door way the glittering ambiguity of a girls smile, which seems to promise an answer to the question, but never gives it. The question, the one we’ve all been asking since girls stopped being gross, the question that is to simple to be uncomplicated: Does she like me or does she LIKE me?

Nerd girls are the world's greatest under-utilized romantic resource.

I don't know why boys expect us to like boy movies. We don't expect them to like girl movies.

We imagine people as animals or gods. -But she was just a person, a girl.

I realize that they giggle and I actually laugh, that they show their cleavage and I have none to show, but just so you know, I am also a girl. I'm one of the three wise MEN. And it's gay to think that James Bond is hot.

You're awfully philosophical for a girl that just got busted.

Of course, sweetie," his mom said. "We'll be here all day. You just come down whenever you want and we love you and you're so so special, Colin, and you can't possibly let this girl make you think otherwise because you are the most magnificent, brilliant boy-" And right then, the most special, magnificent, brilliant boy bolted into his bathroom and puked his guts out. An explosion, sort of.

She's cute, I thought, but you don't need to like a girl who treats you like you're ten: You've already got a mom.

In general-like not just in fiction but in life-it doesn't work out well when someone imagines someone else as a manic pixie dream girl or an Edward Cullen or anything other than a full, complex human being. That said, while I've tried to reflect that in my books, I don't think I've always succeeded, because I am always running up against my own insufficiencies and biases etc.

One of the reasons that metaphor and symbolism are important in books is because they are also important to life. Like, for example say you're in high school and you're a boy and you say to a girl: "Do you like anyone right now?" - that's not the question you're asking. The question you're asking is, "do you like me right now."

Tuesday—we had school for the first time. Madame O’Malley had a moment of silence at the beginning of French class, a class that was always punctuated with long moments of silence, and then asked us how we were feeling. “Awful,” a girl said. “En français,” Madame O’Malley replied. “En français.

I'm not interested in dating a girl I'm not gonna marry

I suppose I'd had, by the standards of that pre-permissive time, a good deal of sex for my age. Girls, or a certain kind of girl, liked me; I had a car-not so common among undergraduates in those days-and I had some money. I wasn't ugly; and even more important, I had my loneliness, which, as every cad knows, is a deadly weapon with women. My 'technique' was to make a show of unpredictability, cynicism, and indifference. Then, like a conjurer with his white rabbit, I produced the solitary heart.

And not a girl goes walking Along the Cotswold lanes But knows men's eyes in April Are quicker than their brains.

I was never into the popular school or clique or anything. Then I started doing movies when I was in high school, so then I got popular. Then the girls paid attention to you who didn't before.

I have a good friend who's a Texas girl; Texas girls are a whole different breed.

Young girls passed me with romance still in their eyes, and others, a little older, with the romance dead.

The fastest I ever did that was when Kill the Moonlight came out after Girls Can Tell, and I remember both labels I was working with at the time saying, "If this was any other period, I would probably say this is too fast, but because this is first time anybody has ever paid attention to Spoon, let's keep it on an upward trajectory."

Oh! full Surrey twilight! importunate band! Oh! strongly adorable tennis-girl's hand!

There's a rule or something that if a girl can crack you up, you have to do what she says.

Forget impressing the girl, just do it for yourself!

One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill.

You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.