...there ... remains a huge following [of Ayn Rand's philosophy] of those who ignore the indiscretions, infidelities, and moral inconsistencies of the founder and focus instead on the positive aspects of her philosophy. There is much in it to admire, if you do not have to accept the whole package... Criticism of the founder or followers of a philosophy does not, by itself, constitute a negation of any part of the philosophy... Criticism of part of a philosophy does not gainsay the whole.
Well, I think anybody who's had a baby can tell you that once you have a baby, they kind of become the main focus. I don't think there's gonna be a lot of room for anything else.
If you are only getting two takes and you are on a crazy set where there is a lot of noise and distractions and it is hard to focus - that is frustrating. But I don't mind two takes if there is a healthy respect with the work going on with the actors.
I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.
Before, it came easy for me. I don't have two speeds anymore. I need to focus on the small things that I once took for granted.
I'm like a decathlete who does all of the events he's used to, but is being forced by certain circumstances to focus on three events, and being forced to focus on events that he wasn't that interested in, and also weren't his strongest events.
It's good to focus on the universal suffering that goes on in any war. Whatever the right and wrongs of the war, there is always universal suffering.
The times I've been most successful have been the product of hard work and focus, but there's also been an ease and flow to it that's unmistakable.
I come to work on time. I focus on my job. I bust my scenes out and everything else kind of happens from there.
The most effective CEOs have a primary source for tracking their markets. They meet with their teams frequently enough to keep innovation flowing, to reduce and focus costs, to be energized. They create a tight agenda and they set high goals.
If you innovate broadly, focus on the customer experience, and deliver everyday a great product, you will gain share.
For me, it's often about consumption behavior. I focus my energy on understanding the heavy user. They are "odd" but hold opportunity. I ask: how do they use the product, what motivates them, how can we clone them.
If the focus of our testimony is our changed life, we as well as our hearers are bound to be disappointed.
Of course, I could never suggest that only poor people are misogynistic; too many rich folk are just as hateful of women as any poor person might be. I don't know if social problems are only circular; perhaps other geometric metaphors might better describe the triangular effects of social vulnerability, political oppression, and racial disadvantage. I think you're right - we've got to focus on both analyses and solutions. And sometimes, an adequate analysis goes far along in suggesting a suitable solution.
The emphasis on personal responsibility is something we've had in black America from the get-go. Every major leader and intellectual worth her salt has advocated for black folk to better ourselves and push ourselves to the limits of our abilities and gifts. At the same time, we've got to focus on creating a society that recognizes our worth, regardless of race and other factors.
I would never put a sculpture in front of a painting, so that it is difficult to see the painting. I always place each thing so you can see it isolated. You can focus on every individual work.
I've moved away from writing about and describing actual experiences of sex work, whether mine or anybody else's, because the culture is obsessed with the behavior of sex workers. They want to figure out why they do what they do and who they are. What I'm trying to do is to shift the focus onto the producers of the anti-sex work discourse: the cops, the feminists, the anti-prostitution people. Those are the people whose behavior needs to change.
I'm very focused when I'm making a movie, but I'm also a fantastic multitasker.
We need a wholesale reevaluation of what health feels like. Most Americans don't even know what that is anymore. I want to tell people, "Listen, there are places where you can focus on your health, and it can actually be simple."
Do not focus on being happy, focus on doing something useful; afterwards, happiness will flow towards you!
All any filmmaker can do is focus on creating something that has depth and resonance, and then do whatever possible to get it seen by audiences and hope the word spreads.
My career is very important and I'm pretty ambitious. Marriage is not a priority, not the focus of my existence. Of course, you don't plan something like that, do you? It always catches you by surprise.
We know under Nebraska there is an underground aquifer that is probably underneath the whole state, but what form does it take? I kind of want to focus on that, for almost political means, because we keep digging more wells. We're not replenishing, and we're having a crisis in water around the world. But how do you visualize it? I don't know, so I know what I want to study.
I've never really found it that important to focus too much on the fact that I'm a female. I feel like if you make a thing of it then it becomes a "thing." For me personally, gender has always been one of the last things on my mind and I would much rather let the music do the talking. It was definitely surprising at the start to see how many people often got shocked that I would do the entire part of the composition/production/mixdown process on my own, but I don't think women are pigeonholed as much these days.
I am in any way glorifying or simplifying prostitution. The reality of prostitutes around the world is so complex. I've tried to focus on the humanity.