Editing Quotes - Page 11

To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.

One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.

I love producing my kids and my wife's TV show. I love doing that. I think that's my most natural space in the business. I would say the most natural space for me is producing or editing. That's just where I thrive.

You know, I do music. If you look under the hood of the industry I'm in, it's all based on technology. From radio to phonographs to CDs, it's all technology. Microphones, reel-to-reels, cameras, editing, chips, it's all technology.

I never go to the monitor. I just look at the camera monitor and my favorite part of all of the directing, except for the writing and editing of it, is right when we're rolling and they do lines and I'll say "Try this, try this, try this."

Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along.

By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.

For better or worse, editing is what editors are for; and editing is selection and choice of material. That editors newspaper or broadcast can and do abuse this power is beyond doubt, but that is no reason to deny the discretion Congress provided.

When I do a still picture, I'm doing it all by myself with no help. I'm designing everything. I am my own art director. I'm doing everything. I'm directing, editing, whatever.

Using film was so much easier than the digital technology of today. But digital is still at the beginning of what it can be and they'll be fixing all those problems. It's just too complicated - negatives, tinting, flashing - it's a whole new system that takes a lot of time. Of course, it's not as physical. Even the editing. You used to feed a piece of celluloid into an editor. [Digital] is not expensive and that is an advantage, but I must say that I don't love it.

In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.

People will like to say that 'Eastern Promises' is brutal, but the only reason they say that is because the scenes stick with them. They are realistic. They are in-your-face and you see the consequences. It's not a bunch of quick editing cuts.

To write three series a year you only need to commit to writing 10 pages per day, or editing 50 pages of text per day. Plus, writing is my job, and I need to write to eat, so I'm highly motivated to get up and get to work!

Editing is not a part of the filmmaking process I've ever been privy to as an actress.

I like being a musician that's also a fly on the wall. I like people coming in the room and doing what they do and then leaving. I like attention, but it actually gives me a little less to work with as a performer if people are editing themselves and not being them.

I'm not a writer, but I'm very good at editing. That's my specialty. I can read something and tell you everything that's wrong with it and what's great about it and what needs to change, but it's hard for me to organize my thoughts.

[M]y first published book had just appeared in stores. The last year of my life-the year of finishing it, editing it, and seeing it through its various page-proof passes-ranks among the most unnerving of my young life. It has not felt good, or freeing. It has felt nerve-shreddingly disquieting. Publication simply allows one that much more to worry about. This cannot be said to aspiring writers often or sternly enough. Whatever they carry within themselves they believe publication cures will not, I can all but guarantee, be cured. You just wind up with new diseases.

When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.

Editing is a very tough period. You're confronted with yourself. It's a deep, dark, truthful mirror.

For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.

The discipline of writing a memoir comes in the editing. This is where I cut, slash, and burn - where my creative mind is transformed into a ruthless one. No word escapes my scrutiny. It is here where I see what boundaries need to be set.

(R)eality TV (is) a medium dedicated to the proposition that with the help of judicious editing, carefully chosen half-wits can hold the attention of millions of their fellow half-wits for weeks on end.

Teen problem novels? I can go through them like a box of chocolates. And there are fantasy books out now that need a lot more editing. Fantasy got to be so popular that people began to think 'We don't need to be as diligent with the razor blade,' but they do.

Pro Tools is an incredible resource. I think it's enabled me to do things that I wouldn't have been able to do without this kind of computer editing.

The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stack becomes. When I'm editing it together, the density of the papers is an indicator to be like, "You need to stop."