Dream Quotes - Page 438

Marriage. Don't be pressured into it. Is the fear of loneliness really greater than the fear of bondage?

Don't underestimate kindess, gentleness and patience in a man.

I'd like to coach the Liberty. That's my dream. But maybe I'd coach a college team. Either way, I'd like to stay involved in sports and to coach.

It is still the arena of those who dream of the City of Man and those who envision a City of Things. The battle appears to be forever joined. The armies, ignorant and enlightened, clash by day as well as night. Chicago is America's dream, writ large. And flamboyantly.

I had to do something special coming in. I didn't do it, so I had to do it in the playoff. Winning the Mercedes is awesome. Winning three times is a dream come true.

Sometimes when there is action, we just tend to avoid those moments with music, and have music in a separate part that allows you to dream and to make your mind up on where you're at in the story.

I'm inspired by dreams and shadows, obsession and desire. By nature, I'm a dream collector and never stop working. I question people about their weirdest dreams and the strangest, most inexplicable experiences they've had. All this information whirls around in my mind, and new dreams emerge that form the seeds of stories and novels.

I'm sorry to say my dear wife is a dreamer, and as she dreams she gets paler and leaner. Then be off to your Dream, with his fly-away hat, I stay with the girls who are happy and fat.

I had a dream that all the babies prevented by the pill showed up. They were mad.

After a scary movie about the world almost ending, we can walk into the sunlight and say, "Wow, everything's still here. I'm OK!" We like to tease ourselves. Human beings have a need to get close to the edge, and when filmmakers or writers can take them to the edge, it feels like a dream where you're falling, but you wake up just before you hit the ground.

Theres a kind of dream that movies sell to people: You can start as the lowliest person and rise to the top. Hit Me doesnt sell this fantasy.

[Through the making of Dream of Life] I learned about being patient, perseverance, having a dream, a goal. I learned that I can accomplish something despite not knowing anything about it when I begin.

For me to see the film [Dream of Life] on a big screen - it's pretty extraordinary.

I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.

I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith].

Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.

I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.

The only self-consciousness in the film [Dream of Life] is anyone's natural shyness.

We had a hodgepodge of footage. We didn't film [in Dream of Life ]all the time - we would just film periodically, so nothing was synced and nothing was slated.

I came up with more money, took all the footage, got a great editor and made this film [Dream of Life]. But I really didn't go into it with the intention of making a movie.

It took 12 years to put this film [Dream of Life] together, but it was not until toward the end of those 12 years that I looked at Patti [Smith] and said, "Maybe we should do something with this footage."

At the beginning I didn't even really think about making a movie [Dream of Life]. I was just thinking of documenting somebody.

The film [Dream of Life] came together when we started editing; it was organic, it became nonlinear and it was its own animal. And I didn't want to tame it, either. I wanted it to be different. It's not your typical documentary.

Angelo Corrao was our editor [in Dream of Life], and he was just so diligent and so old-school in the way he looked at editing. He would take my far-out ideas and tame them and make sense of them.

Ultimately, the film [Dream of Life] is inspirational.