Character Quotes - Page 558

... when he saw her sitting there all alone, so young, and good, and beautiful, and kind to him; and heard her thrilling voice, so natural and sweet, and such a golden link between him and all his life's love and happiness, rising out of the silence; he turned his face away, and hid his tears.

As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed.

Well, while I didn't have the more extreme experiences of some of my characters, I didn't exactly come from the most normal of households. Or rather, it was normal, in that dysfunctional families appear to be the norm.

I'd say that any character or setting can be given a bit of an otherworldly sheen and be the better for it. The one thing I insist on with my own writing is that I won't let magic solve my characters' real world problems. The solutions have to come from the characters themselves.

My characters seem real because they are drawn from the realities of my life. I didn't have to research their pain; I just tapped into my own.

I find the characters in my head and the more I write about them, the better I get to know them.

I think a good writer is a mix of confidence (sure that what they're writing is going to appeal to their readers) and uncertainty (what if all these words are crap?). If you're too confident, you get an attitude that seeps through into your writing, affecting the characters and the story. If you're too uncertain, you'll never finish anything.

But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous.

Too much me is annoying under any circumstance, but too much me in an essay, however personal, would mar the art. My "character" in the essay is more like a perspective, an angle of vision, a complicating factor, a questioning presence. I don't sit on the sidelines or pretend to objectivity; and I'm not afraid to stick my neck out or to be revealing and vulnerable.

My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the shifting tones and the selection of details, in the comedy, the sadness, and the confusion. For the space of an essay, I'm the air you breathe, everywhere and nowhere. With a personal essay, I don't think you'd want it any other way. You ought to have the sense of an encounter, the impression of having met someone. In my essays, for better or worse, that someone is me.

Duke Chartres used to boast that no man could have less real value for character than himself, yet he would gladly give twenty thousand pounds for a good one, because he could immediately make double that sum by means of it.

It was observed of Elizabeth that she was weak herself, but chose wise counsellors; to which it was replied, that to choose wise counsellors was, in a prince, the highest wisdom.

Short as life is, some find it long enough to outlive their characters, their constitutions and their estates.

When certain persons abuse us, let us ask ourselves what description of characters it is that they admire; we shall often find this a very consolatory question.

Words are in this respect like water, that they often take their taste, flavour, and character, from the mouth out of which they proceed, as the water from the channel through which it flows.

Living authors, therefore, are usually, bad companions. If they have not gained character, they seek to do so by methods often ridiculous, always disgusting; and if they have established a character, they are silent for fear of losing by their tongue what they have acquired by their pen--for many authors converse much more foolishly than Goldsmith, who have never written half so well.

There is such a thing as the poetry of a mistake, and when you say, "Mistakes were made," you deprive an action of its poetry, and you sound like a weasel.

Of Cooking. This is an art of various forms, the object of which is to give ordinary observations the appearance and character of those of the highest degree of accuracy. One of its numerous processes is to make multitudes of observations, and out of these to select only those which agree, or very nearly agree. If a hundred observations are made, the cook must be very unhappy if he cannot pick out fifteen or twenty which will do for serving up.

There were definitely parts of my character I didn’t approve of, and maybe from time to time I had moments when I didn’t like myself much. But I got through each day as it came to me, and so far I’d survived every thing life had thrown at me. I could only hope that the survival was worth the price I’d paid.

Very few of my characters are totally heroic or totally villainous.

I don't mind playing the same character, but if it's not well done, then I'm not interested.

For me, it's always filmmaker and then character and then story. They're all equally important but if you don't have a great filmmaker, you will not have a great film unless you just get lucky.

There are so many great stories and characters out there that you can just keep saying, "Yes," but you've got to eventually make the decision that if it's something you really want then do it for yourself.

You don't try any less hard on the ones that don't. I've gotten lucky to work with some amazingly talented people that have helped the ones that have worked work. I think you just have to keep doing the stories you love and the characters that you love and are drawn to.

You don't need to like any of the characters, as long as you can understand why and where they're from. Why do you need to like any of the characters in the movie? That's not how life is. You don't like everyone that you meet.