Boys Quotes - Page 184

I know! It means when two boys are really happy ‘cause they love each other.” She laughed. He wasn’t certain whether to laugh along with her—or cry.

Is this how you repay my goodness--with badness?” cried the boy. “Of course,” said the crocodile out of the corner of his mouth. “That is the way of the world.

A boy admiring a pretty girl. A rare thing to be certain. But love-true love-is something else.

He's a normal, likable, straightforward boy. (on David Beckham)

I am glad to go with my wife and baby boy.

The reason why I take my life is because I want to go to my wife and boy. My usefulness in this world is at an end. I can not be satisfied in any business and can not be without their companionship.

I go gladly to my wife and boy, and I leave this world at peace with every one in it and at peace with God.

Each film has its processes. It doesn't mean that all animated films have to be like "Boy and the World," but creators have to have total freedom. There are films that are born with the purpose to sell. They are still admirable films with great artists and great visuals, but we wanted to use a more radical approach to create art. That's what we tried to do.

I tried to exploit such freedom to create those drawings like if I was a boy. I tried to draw with that freedom and that love that I remember from being a child and spending a day drawing without worrying about whether what I'm drawing is real or strange.

I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.

The film [Boy and the World]gave me the possibility to create a new language. Animation is a very rich medium but hasn't fully been exploited by artists. Often artists are trapped by words.

It's a film made in a very radical creative manner. It was possible because we didn't have to pander to capitalism. I think the film is also a humanistic cry for help for animation. It's a film [Boy and the World] with sensitivities completely opposite to what the market wants to sell.

Making a film from the point of view of a young boy's eyes opened the door to another universe with lots of freedom and to explore a new dimension. This was achieved as I started doing things that were close to what exists in a child's universe.

Home, home -- a few small rooms, stiflingly over-inhabited by a man, by a periodically teeming woman, by a rabble of boys and girls of all ages. No air, no space; an understerilized prison; darkness, disease, and smells.

So many boys, so little time.

I'm a big boy. I've been through enough that I understand how things are.

My two boys were the same ages as the kids in the show. In real life or in between the breaks I was raising two kids off camera who were not unlike the two kids who were being paid to be my kids.

Growing up in the Boroughs, I thought I must be the cleverest boy in the world, an illusion that I was able to maintain until I got to the grammar school.

The boys feet have been up in the clouds since the win

One of the hardest things for boys to learn is that a teacher is human. One of the hardest things for a teacher to learn is not to try and tell them.

I had never really wanted to be famous. Everyone is supposed to want to be rich and famous, but as a boy I never knew what rich was, and the first view I had of famous made me leery.

Boys like Peter are afraid of alot of things, like nuclear annihilation and flunking algebra, but they're not afraid of wolves.

To be really obvious about something, if somebody straps an M1 on your shoulder and throws you in Iraq, you're going to get a sense of what the hell's going on there. Boy, you'll wake up fast when bullets are flying over your head.

The gay rights movement of recent years has been an inspiring victory for humanity and it is in the tradition of the civil rights movement when I was a young boy in the South, the women's suffrage movement when my mother was a young woman in Tennessee, the abolition movement much farther back, and the anti-apartheid movement when I was in the House of Representatives. All of these movements have one thing in common: the opposition to progress was rooted in an outdated understanding of morality.

I remember as a boy when the conversation on civil rights was won in the South. I remember a time when one of my friends made a racist joke and another said, 'Hey man, we don't go for that anymore.'