Boys Quotes - Page 146

I was terrible in my first play. After that experience, I had to face that I wasnt good enough to play with the big boys. I had to go away and learn, so I worked in regional theater for three years. I even understudied at the Kennedy Center.

The boys are so well-rounded, they're so self-disciplined, there is so much camaraderie

I loved working on 'Happy Gilmore' because I love to travel to new places and we got to go to British Columbia. Any Adam Sandler film is fun to work on because it is a reunion of the boys club of guys that have worked together in the past.

Any time you do an Adam Sandler film, it's kind of like a boys' club, because you're hanging out and there are guitars around, and basketballs and footballs and electric bikes and scooters and different people dropping by.

I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"

The funny thing is I showed my daughter E.T. recently, and she was like, it's Pete's Dragon. It's a boy, who makes friend with a creature, and has to say goodbye at the end. I'd never made that connection!

I might not remember how the sky looked on any given day. I do remember, though, what it was like to be a boy beneath a sky.

My grandfather used to say to me when I was a boy, "Getting knocked down is no big prize - it's getting up that's the real trick." I couldn't agree more.

I'm over dudes trying to look like they're in boy bands.

Part of what I am dealing with, with this blackness, is asking the question, "Where are those black people, who are as dark as the description of a young black boy that Solomon Northup gives in 12 Years A Slave?" He describes the young black 14-year-old boy as "blacker than any crow." You have to question if he is using that metaphorically or as a descriptive?

Why? is the boy's motto, why does, why is, why not? Food, weather, time, fires, sea and season, clothes and cars and people; it's all grist to the mill of why.

The first thing I wanted to do, as a boy, was to be a skier, because I had seen film footage of somebody skiing.

I guess I've done a couple of boys-y movies and on the whole you get bracketed into things you've just done, so it was an imaginative surprise from my Disney family to pull me out of the hat, as it were in Cinderella.

I remember one of my last shows, the Final Jeopardy! clue was something like 'These two boys' names are top 10 boys' names in the U.S., they both end with the same letter, and they're both names of Jesus' apostles.' Now, obviously that's not a knowable fact.

Women have only had the vote for less than 100 years. Before that, we were wives and essentially kind of property. We grew up, and our parents wanted us to get married, so somebody else could look after us. And in the last few decades, it's changed. We can now have families without men. But, unfortunately, the dialogue, the old boys club, the locker room talk, has mysteriously not changed at all.

There's a good sarcasm and a camaraderie that comes after being in a band. And we've known each other forever. We've never been a band that fought or argued. As a songwriter, I'm really happy that the boys support me and contribute and that, but I've always wanted to be under the band Stereophonics.

I get hit on by the hottest girls ever. Oh my god, if I was a lesbian, I would be so in luck. But it's just not my thing. I've always batted for the boys' team.

It made me sick - my name's Keith Richards. It hardly makes it against Howlin' Wolf or Muddy Waters, does it? On my first guitar I had Boy Blue written - just pathetic. But that was as good as I got at the time.

My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.

I went through voice coaching. I was absolutely terrified. I thought my knees were going to buckle, and the first couple of takes I sounded like a pubescent boy. I didn't realise I was going to have to do it live.

This is - it's a sociological experiment in many ways. And so you're seeing the results of what happens when you put a lot of boys in a room looking at art history.

If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.

I think that everybody that's coming out to Warped Tour, when they come to see the show, they're always like; let's go see that band that band that band and... that girl. I think that I tend to be that girl sometimes and I think that it's cool that I get to hang out with this Summer camp of smelly boys.

When I got the beat, in my imagination I was catapulted into this club where all the boys and girls are looking hot and wearing amazing clothes, and there's this girl dancing and looking better than me.

My dad was a soul fan and a singer himself, and he loved vocal harmony, stuff like the Beach Boys and Motown like the Four Tops, which was a big influence on me.