Book Quotes - Page 808

We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.

I want her to be powerful on these covers, and sometimes that's a quiet power and other times it's a more bombastic power. But when you're going to have a book out there that's called Wonder Woman and she's on it, you have a responsibility to put out a certain kind of image.

I realize that this is not what you want to put on a cover with Wonder Woman emblazoned on it. She could be in trouble, but she doesn't need to be completely out of control. So whenever I'm doing these covers, I try to make sure that there's an element where, even if there is danger, it's not something where agency is taken away from her.

I've become really aware of all the subtle things you can communicate through the art and how you're presenting a character, particularly someone like Wonder Woman, who means so much to so many people.

When coming up with Wonder Woman cover designs, sometimes people will pitch ideas to me, either the writer or the editor. And it's interesting, because I know they're not trying to, but they end up pitching things that end up feeling like damsel-in-distress covers, where the tension comes from her needing to be rescued somehow. And it's something I immediately push back against.

Often they [writers on the study of management] have a point of view based upon intuition and experience. They then offer a cadence of two-paragraph examples carefully selected to "prove" their theory, and then they write "one size fits all" books. The message is, "If you'd do what these companies did, you'd be successful too."

As I have studied the Bible and the Book of Mormon, I have come to know through the power of the Spirit of God, that these books contain the fullness of the gospel of Jesus Christ.

I have continued systematically to study the Book of Mormon and Bible to understand even more deeply what God expects of me and my family while on this earth.

When I was a kid, the punishment I disliked the most was writing sentences. My mother loved to make me record my transgressions--always a minimum of five hundred times--and she even bought special spiral notebooks for me to fill up.... No matter how many notebooks I went through, there was always another one waiting in the kitchen drawer.

The library would've cheered me up, most days. I loved the heavy oaken tables, the high walls stacked with books to the ceiling, the musty smell of old pages and the heavy brass fixtures that had gone dark with age and wear.

Chloe Honum's brilliant first book The Tulip-Flame traces an identity forming within radically divergent but interlocking systems: a family traumatized by the mother's suicide, a failed relationship, the practice of ballet, a garden-each strict, exacting. And with 'a crow's sky-knowing mind,' Honum in every case transfigures emotion by way of elegant language and formal restraint. Chloe Honum is 'one astounding flame' of a poet, and I predict a long-lasting one.

My relationship with Andrew JiYu Weiss has always been inspirational, his support and guidance always beneficial. My hope is that those who read this book will benefit as much as I have from meeting and knowing him.

If I wrote a book about England I should call it What About Wednesday Week? which is what English people say when they are making what they believe to be an urgent appointment.

An autobiography should give the reader opportunity to point out the author's follies and misconceptions.

But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.

For me, one of the really cool things about this is that throughout these movies, there have been - and I enjoyed it this way - hints at what S.H.I.E.L.D. is and how they function within this Marvel movie universe which, as you know, is deeply based in the comic books.

No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.

I was an 'Ironman' fan. It was in the '70s. I definitely liked comics and drew a lot of panels on my notebook when I should have been studying - probably why I ended up in the arts.

The tremendous Jeremy Latcham from Marvel showed up with this one-of-a-kind animated encyclopedia about S.H.I.E.L.D. and The Avengers. Coulson wasn't a part of the comic books, which is a singular thing about him that I thought would get me killed off very quickly, but luckily, it didn't. It just became a thing that I fit into, and they kept finding new and better uses for me.

There was a day on the set of Iron Man where I said, "I remember some of this stuff. I definitely had some Iron Man books. But, S.H.I.E.L.D. is a little bit of a weak spot for me."

That's exactly how I want you to feel. When you finish this book, I want you to be filled with curiosity. I want you to say, “I have to find out what happens next,” and then I want you to head to your nearest library or bookstore to pick up a copy of Wuthering Heights.

That is the person you want publishing your book. To be in it, you really have to believe in books and love whatever it is you're publishing. Both on the book side and especially on the magazine side, I've had editors that I did not get the same feeling from. That feeling of, "This is something I believe in, I don't care how long, I'm going to publish it" - that kind of passion and commitment means a lot to you.

I measure my life out in books." "You should be measuring your life by living. Correction: you shouldn't be measuring your life. What's the point?

The apartment was entirely, was only, for her: a wall of books, both read and unread, all of them dear to her not only in themselves, their tender spines, but in the moments or periods they evoked… Her self, then, was represented in her books; her times in her records; and the rest of the room she thought of as a pure, blank slate.

The book Love and Trouble is asserting that sexuality lives inside us, and in the culture, and in the people who do things to us - and the forms reflect that.