Book Quotes - Page 762

Orville Schell and John Delury have delivered a brilliantly original and essential book: the road map to China’s quest for national salvation... Vivid, literate, and brimming with insights, Wealth and Power deserves to become a classic.

Most new books are forgotten within a year, especially by those who borrow them.

I don't write down my experiences, but I have a very decent memory. I have tons of books in which I write down phrases as they occur to me. That's how I write songs. I'll need a line and I'll go through the books and find it, the right rhyme and everything.

I do everything I watch, whether it's like a big comic book film that I've done or something very serious and raw.I do have that initial feeling like I'm the worst, this is awful, my work is - I've let everybody down. I definitely have that.

They were steaming out of the station before Maia asked, 'Was it books in the trunk?' 'It was books, admitted Miss Minton. And Maia said, 'Good.

There's a bait and switch going on here because the critics want the textbooks to question whether evolution occurred. And of course they don't because scientists don't question whether evolution occurred.

The information that was contained in a cathedral was based upon a common culture - a common Christian culture - and the elements were chosen for a common symbolic meaning. Someone who knew everything that was represented in a cathedral had a sort of encyclopedia - you can indeed call it that - but it was a selective encyclopedia, like encyclopedias back when they were books and the people writing them were supposed to be specialists in their field. I think today the problem is that people don't know how to choose between different kinds of information.

But he who truly loves books loves all books alike, and not only this, but it grieves him that all other men do not share with him this noble passion. Verily, this is the most unselfish of loves!

My own words, when I am at work on a story, I hear too as they go, in the same voice that I hear when I read in books. When I write and the sound of it comes back to my ears, then I act to make changes. I have always trusted this voice.

I read library books as fast as I could go, rushing them home in the basket of my bicycle. From the minute I reached our house, I started to read. Every book I seized on, from “Bunny Brown and His Sister Sue at Camp Rest-a-While” to “Twenty Thousand Leagues Under the Sea,” stood for the devouring wish to read being instantly granted. I knew this was bliss, knew it at the time. Taste isn’t nearly so important; it comes in its own time.

There's still a strange moment with every book when I move from the position of writer to the position of reader and I suddenly see my words with the eyes of the cold public. It gives me a terrible sense of exposure, as if I'd gotten sunburned.

A flop is often the result of the fact that each of the talents involved, while working on the same project, may in effect have been working on a different show from all the others. If all contributors do not share the same vision of the evening, the end product will not evince the harmony of diverse elements-the seeming inevitability of book, score, and staging-of a good musical.

You have to be smart enough to see the world for yourself and honest. The whole book-publicity thing is not really honest, at base.

I've written five books, a book every three years. I'm fairly lazy and it doesn't take that much...people who are not lazy are Isaac Asimov.

If you write a page a day in couple months you have a good chunk of the book and then after a year you have almost a book. It's not that...hard.

There are some advantages to being a writer: you do generally get better as you get older. I think I understand things better. When I was a kid, I was kind of guessing at the emotion. Now I'm interested in writing more difficult books, books that confront the facts of life, of death and dying and failure - the majority of life. You write outwardly imaginative books when you're younger. When you're older you apply imagination to internal experience.

Writing a book is like an unknown abyss, every time. Every book is different. Contrary to what unpublished writers think, it's horrible to have a book out.

When my books were translated, it was always about the characters, because the unique language aspect was lost in translation.

You take a book, and what can you do with a book? Can you cook an egg on a book? No. Can you dig a hole? No. Is it a good weapon? No. The fact that it's good for nothing kind of makes it almost all-important.

A young man's passion, a jaded siren's last chance for love, a world gone mad, cheap thrills, fast cars, expensive wines, the triumph of victory, the overthrow of ontologically incipient hegemony, and gum! I have no idea if this book has any of them! But I liked the part about the bunny.

A wonderful book . . . Full of sadness, hope, and ultimately love. I found it very moving.

What's really going on here is, this is a media shift. It's comparable to what happened in the 1950s and the birth of electronic mass media back then.This is the birth of a new kind of personal media, where, instead of we're all watching one program, we're all watching each other. And the history of media makes it really clear. Whenever we have a big innovation, the first wave of stuff we do is pretty crummy. The printing press gave us pornography, cheap thrillers, and how-to books. Television gave us Newt Minow's vast wasteland.

I started writing an album on flights to Africa and Brazil, but it was crazy because I left the notebook on the plane. It had seven or eight songs in it. After that, I'm not writing any more songs on notebooks - and I keep my Blackberry close!

As a speaker, I can inspire people to change but as a writer I can guide people to change. That's why books are so important. As a pastor, though, I can be a part of creating the change the world so desperately needs.

Robert Nozick [a Havard philosopher, famous for his book "Anarchy, State and Utopia"] defined revenge as delivering the message that you know what someone has done, and it doesn't involve hurting them or doing anything to them beyond that. It's just delivering the message that their crime has been noted not just by its victims, because the victim might be dead, but by another who has a different moral view and will challenge the perpetrator's view.