Book Quotes - Page 716

The grand old Book of God still stands; and this old earth, the more its leaves are turned over and pondered, the more it will sustain and illustrate the Sacred word.

There can be no real conflict between the two Books of the Great Author. Both are revelations made by Him to man,-the earlier telling of God-made harmonies coming up from the deep past, and rising to their height when man appeared, the later teaching man's relations to his Maker, and speaking of loftier harmonies in the eternal future.

The last thing I would want is for Monbiot, Mann, Flannery, Jones, Hansen and the rest of the Climate rogues' gallery to be granted the mercy of quick release. Publicly humiliated? Yes please. Having all their crappy books remaindered? Definitely. Dragged away from their taxpayer funded troughs and their cushy sinecures, to be replaced by people who actually know what they're talking about? For sure. But hanging? Hell no. Hanging is far too good for such ineffable toerags.

Do books about the Holocaust make us think, "Oh well, there was nothing we could've done to prevent that or prevent it from happening again"? Of course not. It makes us angry and determined to stop such atrocities.

Sometimes what works in a book is too "in your face" when converted to the big screen and sound.

I really love middle-grade. Middle-grade books have a little more of a magical, light-hearted feel. You can be a little bit more quirky, you can have a little more humor. It doesn't get so dark and deep.

I sent a lot of publishing ideas to my publisher, about 30 of them. Each time except 3, i got a "rejection letter". This is basically what a rejection letter is like: Hello Pathetic Moron, We read your book. It sucked. Don't send us another one. If you do, we will run over your grandmother with a bus. Don't Do It. From, Your Publisher

Rejection is nature's way of telling you to write a better book.

That small word "Force," they make a barber's block, Ready to put on Meanings most strange and various, fit to shock Pupils of Newton.... The phrases of last century in this Linger to play tricks- Vis viva and Vis Mortua and Vis Acceleratrix:- Those long-nebbed words that to our text books still Cling by their titles, And from them creep, as entozoa will, Into our vitals. But see! Tait writes in lucid symbols clear One small equation; And Force becomes of Energy a mere Space-variation.

Before entering the seminary, I had not encountered the life-changing potential of reading as a source of meaning, as a way of ordering one's inner life, and being rooted in the world.

If you have enough room for your books, you don't have enough books.

When you find that a book is poor ... waste no more time upon it.

I was born, I think, with the desire to make beautiful books — brave books that would preserve the glories of the Dream untarnished, and would re-create them for battered people, and re-awaken joy and magnanimity.

American literature was enriched with Men Who Loved Allison .... Of the actual and eventual worth of this romance I cannot pretend to be an unprejudiced judge. The tale seems to me one of those many books which have profited, very dubiously indeed, by having obtained, in one way of another, the repute of being indecent.

Its contempt for citizens ... is so routine, and so unlimited, that the agency has become a kind of Frankenstein, running wild and terrorizing Americans at will. The IRS hypocritically requires mistake-free returns when its own books are in shambles. It demands exorbitant sums of money without regard to the accuracy of its claims. It doesn't hesitate to use every possible maneuver to get what it wants, sometimes destroying businesses -- and lives -- in the process.

Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves

Writing a book I have found to be like building a house. A man forms a plan, and collects materials.

He had no settled plan of life, nor looked forward at all, but merely lived from day to day. Yet he read a great deal in a desultory manner, without any scheme of study, as chance threw books in his way, and inclination directed him through them.

As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.

I wrote the poems in Charms Against Lightning one by one, over almost a decade, and I did not write them toward any theme or narrative. But once I really got serious about putting together a book, I began to see that in fact there were themes across the poems, if only because my own obsessions had brought me back time and again to the same ground. I realized that any ordering of the poems would determine how those themes developed over the manuscript, and how the collection's dramatic conflicts were resolved.

It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.

Contrary to what people think, I slave over my books.

Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.

You don't fight to protect warships or old men. Like the book says, you fight to save your civilization. And so often it seems that civilization is composed mainly of the things women and children want.

Years ago, when he was around fourteen, he'd been all hipped on the idea of going to India. He read books about people sitting on rocks, naked, in all kinds of weather, but mostly bad, naturally, and walking barefoot through hot coals and arriving at wisdom. I used to say that it sounded to me as though they were getting away from wisdom as fast as they could. I think he sort of looked down on me for that.