Book Quotes - Page 707

The young adult literature is relatively new - it just kind of exploded in the 2000s. When I grew up, there weren't bookstores with sections dedicated to teen lit, nor was my generation raised reading books written specifically for us. Because of that, today we still think of books for teens as children's books and so when you write a book that includes sensitive topics, it just seems even more controversial. What's troubling to me about that is these are issues adults know that teens deal with. Not writing about them makes them something we don't, or can't talk about.

Personally, I never understood the power of having books written about your experience - whatever that experience may be - until I wrote one and started hearing from teens. I just got an email from a reader who said that "Thirteen Reasons Why" was the first time they had felt understood. A book shouldn't be anybody's first time feeling understood and that's where censorship bothers me. These books need to be out there.

Every reader is different. There's no book that's inappropriate for every person, but there are people who cannot handle everything.

When you write a book for publication, you're writing it for other people to read.

There were many books in my parents' home. I'm from a family of five children and we were all readers. And so by the time I left home, I had already read many books, and I was very interested in reading more. That was when I started to have the desire to write. But it wasn't like a divine apparition with angels and seraphins on high. Not for me, at least.

Along the way, about certain things, you realize, "I don't know anything about this." You think, "Is this going to sound ridiculous?" So I pestered more than a hundred different people over the course of the book. And when I finished the book I gave it to six or seven trusted readers, who are always the same, but I also gave it to a brother of mine who's a doctor and I asked him to read it, and he was very helpful. It's good to have a group of trusted readers. As my kids have grown up, they've joined this group.

To a great extent, I still write for myself, write what amuses me. Fortunately, I have a quirky sort of strange sense of humor that appeals to other people and that's good. I still sort of write for myself though there are some areas of the book I feel I have to put in and I feel I have to deliver.

I still feel threatened by academics, but my books have a lot of academic in-jokes and everybody assumes I went to university and studied English.

Every book should have a romance.

People who read my books have an open mind when it comes to new, bizarre, interesting and exciting ideas.

He spent his life immersed in books to the cost of everything else, even personal relationships. "Friends," he'd once said, "are probably great, but I have forty thousands friends of my own already, and each of them needs my attention.

Who do readers expect to see when they pick up this book? Who has won the Most Troubled Romantic Lead at the BookWorld Awards seventy-seven times in a row? Me. All me.

The fun one can have writing books about books is limitless, to be honest.

Mr. Pewter led them through to a library, filled with thousands of antiquarian books. 'Impressive, eh?' 'Very,' said Jack. 'How did you amass all these?' 'Well,' said Pewter, 'You know the person who always borrows books and never gives them back?' 'Yes...?' 'I'm that person.

It took me ten years and seven books to bag an agent - it took me that long to start writing good.

the Real-World was a sprawling mess of a book in need of a good editor.

You see? I know where every single book used to be in the library. She pointed to the shelf opposite. Over there was Catch-22, which was a hugely popular fishing book and one of a series, I believe.

Books" - Snell smiled - "are a kind of magic.

My mother teaches high school English, and she's an artist and a poet and a sculptor, she's published twelve poetry books. I grew up in a household in Venezuela with living, breathing art installations that were the way that she used to express herself, a highly creative environment where ideas were celebrated, where artistic expression was celebrated. Seeing her as somebody who was always able to have a creative output - if she felt sad, she wrote a poem, if she felt happy, she made a sculpture - I think for me, there was an early interest in finding outlets for my passions.

I'm a very slow reader, and books of interviews are an absolute favorite of mine.

Things like Facebook have made you feel as though you're connected to everybody. You've got a thousand friends on Facebook, but you don't actually talk to anybody. You're not close to anybody.

Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing.

I draw rainbows whenever I see them, with my black ink pen. When I have collected enough, I thought I might make a book called Black-and-White Rainbows.

The book is not a cut-and-paste job. Yeah, I have a blog, but the material in the book is all new. The blog deals with my life now, whereas as the book starts a few years before my birth until right about the end of junior high. And yes, I am contractually obliged to mention this as much as possible (each time I do, HarperCollins sends me a free pizza).

My dad is still the only Mraz in the Mechanicsville phone book, so he's getting calls from girls to see if I'm home!