Book Quotes - Page 702

I think that there is a tragic misfit at the core of me, and I've just done a lot of work on myself. I love a good self-help book; I've read a ton of them. I love self-help seminars and therapy and all that. I think that probably, at my core, if I had done no work on myself, I would probably be Laura from The Mysteries Of Laura, but I worked hard to be a more stable person because that's what I wanted out of my life.

[My mom] is quite the strict editor. I feel like maybe she has more of the old-school editing style, which really works in picture books, because you don't want to articulate anything in words that is already shown through the pictures.

We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.

Quinn Cummings is a master story-teller and her book is nothing short of delightful. Her insights into topics like celebrity, parenting, and cats with a taste for homicide are pithy and uproarious and not to be missed. Notes from the Underwire is charming, hilarious, and just snarky enough to be ultimately satisfying.

I'm such a fangirl when it comes to other writers. I read 250 books a year, and I'm always talking up books by other authors.

As I examine my life through this book, I can't help but wonder if my mother was right. Maybe I really was what I ate. And maybe if she'd let me eat a little more sugar, I'd have come out sweeter.

The book is even quirkier, but it's hard to bring all of that stuff to a movie. With a book, you use your imagination more and create your own way to make it all make sense.

Pulitzer's Gold is a goldmine of inspiration for both journalists and non-journalists. Those in the newspaper business, who now find themselves obsessing about staff cutbacks and circulation declines, should embrace this book as a reminder of the highest ideals, and the absolute thrills, to be found in their profession. As for regular readers, Pulitzer's Gold offers marvelous storytelling, real-life adventures, and absolute proof that journalism can change our world for the better.

We shouldn't let the Republicans off the hook. Theodore Roosevelt, we learned from Jeff Cowan's new book, was just as bad as certainly [Louis] Brandeis was, or many Democrats were on the question of segregation.

I'd say that [Louis] Brandeis practiced a kind of a "living originalism," to use the title of Jack Balkin's great book. He said you start with the paradigm case, which in the case of the Fourth Amendment was these general warrants or writs of assistance, but you define it at a level of abstraction that you can take it into our age and make it our own.

But as I wrote the book [Louis D. Brandeis: American Prophet], I tried to write it as clearly and directly and passionately as possible just thinking of communicating to readers who might want to learn about this great thinker and be inspired by him as I was.

And he [Louis Brandeis] talks to his young acolyte, Horace Kallen, who wrote this beautiful book called Cultural Pluralism, and he comes to believe that by being better Jews, or better members of our ethnic group, we can be better Americans, because America is like an orchestra in which identity is defined by the diversity of perspectives that we bring to the table.

Louis Brandeis really inspired me to write this book [Louis D. Brandeis: American Prophet]. It was a crazy deadline. The editor said I'd miss the hundredth anniversary unless I pumped the thing out in six months, because I'd been delaying and dilly dallying for so long. So he both inspired me to get up early and write.

I was very much influenced by a great book by the scholar Neil Richards called Intellectual Privacy, that [Louis] Brandeis changed his mind on the proper balance between dignity and free speech.

The Book of Mormon is the keystone of our religion primarily because it is the most extended and definitive witness we have of the Lord Jesus Christ-of our Alpha and Omega, the True Vine, the Bishop and Shepherd of our Soul, he who is the Key Stone, the Chief Cornerstone of the eternal gospel.

Whatever else the Book of Mormon makes clear, it makes clear that every soul in every dispensation is precious to God, and therefore no age or era was-or is-left without its witness of Christ.

I hope I have a few years left in my 'last days,' but whether I do or do not, I want it absolutely clear when I stand before the judgment bar of God that I declared to the world, in the most straightforward language I could summon, that the Book of Mormon is true, that it came forth the way Joseph said it came forth and was given to bring happiness and hope to the faithful in the travail of the latter days.

Almost no one as I think most leadership books are a joke. They are, as I note in Leadership BS, frequently based on wishes and hopes rather than reality, on inspiring stories rather than systematic social science, and on "oughts" rather than "is."

When somebody asks me "What are your comic books about?" or "What are your songs about?" there is no answer and I feel like an idiot not having an answer, like I don't know what I am making. I really do know what I'm making, but it's not one thing, it's everything I like, and I see no reason to leave out any of that.

If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.

I think the suicides in my first book came from the idea of growing up in Detroit. If you grow up in a city like that you feel everything is perishing, evanescent and going away very quickly.

To start with, look at all the books.

I think, especially when you're in college, each book that you're reading tends to tell you who you are.

I know that attaching memories to books may be going out of the world, but while it lasts, it's a strong record of your life.

The ideas for my books come about in two ways. There can be an intellectual idea that seems to be the reason for writing the book. [...] The other motive is unconscious. There is something deeply psychological and emotional that draws me to the material in the first place.