Book Quotes - Page 676

A great large book is a great evil.

Anti-Americanism is as old as the Republic--a historical constant, which is only remotely related to specific American behavior. So what is new? Andrei Markovits has delivered the best answer yet, ranging across an astounding wealth of material from politics and culture. Uncouth Nation is a rare academic treat. Rigorous and analytical, the book is also a pleasure to read as it penetrates a critical issue of our time.

I consider books to be good for our health, and also our spirits, and they help us to become poets or scientists, to understand the stars or else to discover them deep within the aspirations of certain characters, those who sometimes, on certain evenings, escape from the pages and walk among us humans, perhaps the most human of us all.

I can't imagine myself outside any kind of social or political involvement. Yes, I'm a writer, but I live in this world, and my writing doesn't exist on a separate level. And if people know who I am and read my books, well, good; that way, if I have something more to say, then everyone benefits.

The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function.

Here, then, is the point at which I see the new mission of the librarian rise up incomparably higher than all those preceding. Up until the present, the librarian has been principally occupied with the book as a thing, as a material object. From now on he must give his attention to the book as a living function. He must become a policeman, master of the raging book.

The Treatise of the Three Impostors is a book that enjoyed centuries of notorious nonexistence until (as Voltaire would say) it became necessary to invent it. Georges Minois writes with empathy, erudition, and a novelist's sense of buildup and timing, weaving in the parallel story of Europe's courageous freethinkers. In the face of today's social and even legal pressures against criticizing religion, it is good to see an honorable French tradition asserting itself.

I had mostly been writing humor books, and my instinct is generally to go for the joke.

I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints.

Let neither tear nor reproach besmirch this declaration of the mastery of God who, with magnificent irony, granted me both the gift of books and the night.

My father gave me free run of his library. When I think of my boyhood, I think in terms of the books I read.

I know of a wild region whose librarians repudiate the vain superstitious custom of seeking any sense in books and compare it to looking for meaning in dreams or in the chaotic lines of one's hands . . . They admit that the inventors of writing imitated the twenty-five natural symbols, but they maintain that this application is accidental and that books in themselves mean nothing. This opinion - we shall see - is not altogether false.

I had always thought of Paradise / In form and image as a library.

As a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight.

Being on 'Idol,' you have no choice but to be an open book.

My reading practice is one reason I mostly don't read electronically. Different books are in different rooms of my house, and one is in my backpack. Physical location tells me what book to read.

For me, there are two different things that make Sherlock Sherlock. One is, you know, within the books: obviously he's a genius with an attention to detail, his ravenous hunger for all aspects of knowledge that might feed into his work. But the major thing that makes him Sherlock is his relationship with Watson - their friendship. For me, that, I guess, is the biggest side, the more interesting side than the genius.

No one who reads this book will remain unchanged or unaffected-Julene Bair's story arcs from the cornfields of Kansas and Nebraska to the food on our tables and the gas in our cars. There is always a price to be paid, she reminds us, for the pleasures and comforts of this day. If you read only one memoir this year, this is the one to read and pass along.

What sells a book sells a book, same in traditional or self-publishing . You gotta shake your tail feathers.

In terms of fiction, I'd rather go out and have a good time than read a book about someone having a good or bad time.

[Buckminster] Fuller's idea of progress is a very 1950s organization man out of the military sort of idea of progress. So as a result, you have something like: we've got bad weather in New York City; let's put a dome over it. And so I don't want to put a dome over Manhattan and I hope that nobody who ends up reading the book wants to do so as a result.

Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.

I think that in the first place, why we can get excited about [Buckminster ] Fuller, why it's plausible that people might - why my publisher would publish this book [You belong to the universe] about it long after he's dead and irrelevant by many standards has to do with the fact that he was in a sense coming up with this job for himself that is the job that we now refer to when we speak about world change.

My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.

Digital books and other texts are increasingly coming under the control of distributors and other gatekeepers rather than readers and libraries.