Book Quotes - Page 604

I learned early Jack Kirby favorite movies were the Warner Brothers from the '30s. When you look at Jack Kirby's comic books, or at least when I do, I can make an instant connection. When he said he loved those movies it was like, "Of course."

I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.

I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement.

There are different rules for comic books now. You've got prima donna's that are dealing with the direct sales market, so if they say it's going to be late, then that's what you tell the dealers and it's late.

The Occupy Wall Street collective is confused about what it wants but it wants it now! Some of the loonier demands from its independent thinkers: Striking all existing public and private debt from the books across the "entire planet"; elimination of all international borders; free college education; a guaranteed "living wage" for all regardless of employment; an end to free trade; trillions in additional spending for infrastructure and ecological restoration; and ending the fossil fuel economy.

I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".

My reputation when I was first here was that I had every single answer in the book. I don't know, maybe I portrayed that somehow. I was learning, and I continue to learn and I have learned.

Many books condemn 'secular' culture, just as many books advocate (consciously or unconsciously) accommodating ourselves to culture. Brett has written something much different: a biblically informed and culturally savvy approach to consuming culture in a God-honoring, community-building, and mission-advancing way.

Comic book heroes are an important part of our culture.

When a book is read an irrevocable thing happens — a murder, followed by an imposture. The story in the mind murders the story on the page, and takes its place.

The world is a book. Some words stand out from the page.

Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.

I'm a big illustration and comic book fan. In my eyes, comic books and illustration are the same kind of art forms.

Oh Senor" said the niece. "Your grace should send them to be burned (books), just like all the rest, because it's very likely that my dear uncle, having been cured of the chivalric disease, will read these and want to become a shepherd and wander through the woods and meadows singing and playing and, what would be even worse, become a poet, and that, they say, is an incurable and contagious disease.

Nay, what is worse, perhaps turn poet, which, they say, is an infectious and incurable distemper.

All my book are my favorites.

If you hold a beautiful flower in your hand, you can write a whole book about it. However, you are still just you perceiving and experiencing it from your own point of view.

Oh yeah, I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics.

The first page sells this book. The last page sells your next book.

No one likes my books except the public.

As presidential authority expands, and the role of Congress diminishes, the American people continue to lose control over their government. Today's assertions of executive power are indeed a nightmare and Peter Shane's extremely readable and well-informed book describes this disturbing transformation in frightening detail. For anybody who cares about our constitutional system of protected liberties, this book is indispensable. I couldn't put it down and grew angrier, and more concerned, with every page.

. I used to advise writers to just write their books and it will find a home, and suddenly that didn't seem as certain. I figured it was time to act. I considered a small press through RADAR, my literary non-profit.

Every story is flawed, every story is subject to change. Even after it is set down to print, between covers of a book, a story is not immune to alteration. People can go on telling it in their own way, remembering it the way they want. And in each telling the ending may change, or even the beginning. Inevitably, in some cases it will be worse, and in others it just might be better. A story, after all, does not only belong to the one who is telling it. It belongs, in equal measure, to the one who is listening.

You can't have a favourite meal, like you can't have a favourite movie or a favourite book or a favourite child.

Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. (...) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. (...) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation -- we're often aware of her struggle -- but she can't be blamed for the pervasive bloat.