Book Quotes - Page 582

Little things. The thought of losing them makes them unbearably dear ... I only think of the sweetness. Simple things. The quarter moon, the taste of an orange. The smell of the pages of a new book.

But when I was a little kid, I was always writing stories and illustrating little books that I would create.

Many, if not most, of the best and most lasting children’s books have multiple levels, some of which are not fully accessible to their most likely readers…at least, not on their first read-through at age eight or ten or fifteen.

Rennie didn't quite dare to answer back, but she looked a whole book and a couple of extra chapters.

If it would benefit you, I would kill every wolf here. But there are things that you need to do -- and interfering with that is not protecting, not in my book. The best way for me to protect you is to encourage you to be able to protect yourself.

Is it like a Harry Potter thing?" He turned his head then. "A what?" "A Harry Potter thing," she said again. "You know, don't say Voldemort's name because you might attract his attention?" He considered it. "You mean the children's book." "I have got to get you to watch more movies," she said. "You'd enjoy these. Yes, I mean the children's book.

When I put magic into a book - whether it's a wizard or a crusty old werewolf - I'm asking a reader to swallow a huge leap that is counter to everything he or she knows. An extra big helping of reality makes that leap go down a lot easier.

Read good books. Read bad books - and figure out why you don't like them. Then don't do it when you write. If you are a science fiction or fantasy writer, going to conventions and attending panels is very useful.

To live fully your well-read life -at any age- it is essential to take your selection of books seriously. When you drift from book to book, you're lulled into thinking that this lack of focus is right and natural - but it's as wrong as can be. Some serendipity in your reading is delightful, but if you wanted to build a house, would you wait for the materials to assemble themselves? - Steve Leveen

I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.

I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.

Writing poetry and reading books causes brain damage.

I think I learned about the relationship between books and life from Margaret Mitchell.

I can't pass a bookstore without slipping inside, looking for the next book that will burn my hand when I touch its jacket, or hand me over a promissory note of such immense power that it contains the formula that will change everything about me.

And how can we ever again succeed in educating children to become moral men and women if, in America's public schools, we consciously deny them all religious instruction, and deny them access to that primary source of morality, God's own word. The Bible is the one book from which they are expressly not allowed to be taught.

I don't know if kids still read it, I just know that for me - as a boarding school kid - the book had a lot of resonance. It was a well written book. I was honored to play a part in that movie version.

In North Korea the math book says, you know, there are four American bastards. You kill two of them. Then how many American bastards left to kill. a And as a child I had to say, "Two American bastards." And that was my education.

If I could read a book, I'd definitely read one of yours.

For pleasure, I'll read military sf, or Elmore Leonard capers, anything that's fast and fun. Otherwise, I mostly pick at books, without any clear focus.

I think that Indian writing in English is a really peculiar beast. I can't think of any literature - perhaps Russian literature in the nineteenth century comes close - so exclusively produced by and closely identified with a tiny but powerful ruling elite, the upper-caste, Anglophone upper middle class, and dependent for so long on book buyers and readers elsewhere.

I think overtly political novels - those that never transcend or contest their author's conscious intentions and prejudices - are problematic. This is not just true of the innumerable unread books in the socialist realist tradition, but also of novels that carry the burden of conservative ideologies, like Guerrillas, Naipaul's worst book, where the author's disgust for a certain kind of black activist and white liberal is overpowering.

I don't think of myself as particularly earnest. I have long bouts of cynicism and skepticism. So much of my early life was full of uncertainties. It still is. My "Buddha book" expresses that. Perhaps that's what created this impression of earnestness.

Most books germinate within you for a long time before they are ready to come out. I wrote several drafts of the novel over many years and when I finally got to the last one, it didn't take much time.

There is something fascinatingly awkward about an author photo. I'm drawn to those glossy shots in the back of books, mostly because the subjects never look happy to be there.

I'm listening to Gogol Bordello, which is totally random, but I love him. Just finished the new Joan Didion book, Blue Nights, which I loved. I haven't been to the movies in God knows how long. I haven't been doing anything but living in a bubble, making jewelry!