Book Quotes - Page 559

I work hard and I party hard. When I go to work, I know what I am doing and I do it to the best of my abilities. When I party, I take exactly the same rule book with me.

This particular one was very, very heartwarming and is the relationship of an older man and a young boy that are essentially on the run. And so yeah, as I say, Barry Crump wrote a lot of books and this one got into the hands of Taika Watiti who then writing the screenplay decided to really vamp up if that's the word, or ramp up and modernize certain phrases - getting in the humor. So he added a lot of a real comedy perspective onto it which is what I think the story needed anyway, especially for it to turn into a film. And it worked.

Back in the day, Barry Crump not only had these stories that talked about that kind of rustic personality, but also, he spoke volumes, I guess, of the relationships in the stories that he told in these books.

At a tender age, I commandeered half a quire of foolscap from my father's desk and sat down to write a book. ...I had observed onprinted fly leaves the words "By the author of, etc." ...So under the title of my prospective work I wrote: By the author of "Les Miserables," "The Woman in White," "Dombey and Son," "Tom Brown's Schooldays" and "Our Life in the Highlands," the last-named being an opus of good Queen Victoria. I had not read all these works but they existed on our bookshelves, and I hoped to produce something worthy of comparison.

When I was a kid, I loved having a book in my hand. I still do. I wasn't a fast reader, but I was a steady reader. I read all of The Bobbsey Twins, Nancy Drew, and Cherry Ames books.

I'm interested in the origins of the religious experience, how the history of religion has evolved over the last umpteen thousand years, and where religiosity is going in the future. I think that's a topic I've been chewing on for a few years; I would love to eventually work on and produce a book out of it.

I'm not a collector. I don't keep letters, or books, or souvenirs. But I do keep one copy of each translation of my books into a foreign language. Have you ever seen a murder story printed in Singhalese? Wow!

There are only two kinds of books which you can write and be pretty sure you're going to make a living — cook books and detective stories.

I love books, food, music, sleep, people who work, heated arguments, the United States of America, and my wife and children. I dislike politicians, preachers, genteel persons, people who do not work or are on vacation, closed minds, movies, loud noises, and oiliness.

Everything can draw inspiration: a vintage cloth, a book, a street-when I was in Japan, I was deeply inspired by Japanese pharmacies.

I have learned patience, for sure. Pre-publication is a long waiting game, especially for authors of picture books. We write the manuscript, sign the contract, and wait. It takes a while for the art director to find an illustrator and then the illustrator works on the sketches, and depending on those first round of sketches, it could be a few more months before you see a final illustration. I was surprised at how long it takes for all the pieces to come together.

Post-publication I have been surprised at the limited resources publishers have to promote books. I certainly knew that being a new author, I would have to do a lot of self-promoting, but it really has surprised me just how much I have had to do myself to make sure the books get into the hands of young people.

Picture books are more difficult for me because it is telling a huge story in the least amount of words.

I’ve been looking at oil paintings from oriental artists lately, and the one artist who’s inspired me right now is a man named Hokusai and I’ve had his book by my bed looking at how he interprets landscapes – mountains and water and flowers and birds.

When you start at catering college, nobody prepares you for a book tour or public speaking.

The first book was out and for the first time we were on a book tour. Being the son of an immigrant, I'd never dreamt of being on book tours. Suddenly the attention was huge.

I started to change. It was sort of a restaurant mid-life crisis, you could say. I lost a lot of confidence, not so much as a father or as a friend, but as a boss, as a chef that's to make decisions throughout the day all the time. I just slowly started burning out. Once you lose your confidence like that, you start being angry in the kitchen. I couldn't recognize myself anymore. I started writing the journal. It was never meant to be a book, but the editor at Phaidon read parts of it. As editors do, I guess.

And then there were the wallflowers who had recognized for years that the thing was hopeless, who had found in that information a kind of calm. They no longer tried, with a bright and desperate effort, to sustain a conversation with somebody's brother, somebody's usher, somebody's roommate, somebody's roommate's usher's brother... The category of wallflower who had given up on all this was very quiet, not indifferent, only quiet. And she always brought a book.

Good books are irrefutable, and bad books refute themselves.

It's not unheard of, in the course of life, that if there's enough interest in it, we could consider going a second season or doing another chapter. I keep looking at it as books in a series, and this season is the first book.

Better not read books in which you make acquaintance of the devil.

Books were the sustenance of God. And His munitions.

I have a musician friend who, after reading Mountains, told me, "When I read the book, I wanted to quit music altogether and become a doctor." I told him, "Do you really think you can be a better doctor than you are a musician? Nobody needs you as a lousy doctor. Just be the one-of-a-kind, brilliant musician you are, and divert your success somehow to benefit the poor." You can achieve so much more this way.

Regarding R. H. Blyth: Blyth's four volume Haiku became especially popular at this time [1950's] because his translations were based on the assumption that the haiku was the poetic expression of Zen. Not surprisingly, his books attracted the attention of the Beat school, most notably writers such as Allen Ginsberg, Gary Snyder and Jack Kerouac, all of whom had a prior interest in Zen.

Regarding R. H. Blyth: The first book in English based on the saijiki is R. H. Blyth's Haiku, published in four volumes from 1949 to 1952. After the first, background volume, the remaining three consist of a collection of Japanese haiku with translations, all organized by season, and within the seasons by traditional categories and about three hundred seasonal topics.